The Value Gap – Female–Driven Films from Pitch to Premiere
Courtney Brannon Donoghue
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Velvet Curtains and Gilded Frames : The Art of Early European Cinema
Vito Adriaensens
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AI in the Movies
Paula Murphy
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Transgressive Art Films : Extremity, Ethics, and Controversial Images of Sex and Violence
Oliver Kenny
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Liminal Noir in Classical World Cinema
Elyce Helford
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Poltergeist
Rob McLaughlin
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Ulrike Ottinger : Film, Art and the Ethnographic Imagination
Prof. Angela McRobbie
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Silent Film and the Formations of U.S. Literary Culture : Literature in Motion
Sarah (Associate Professor of English, Associate Profes Gleeson-White
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One Shot Hitchcock : A Contemporary Approach to the Screen
Luke (Casual Academic, Casual Academic, University of New So Robinson
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One Shot Hitchcock : A Contemporary Approach to the Screen
Luke (Casual Academic, Casual Academic, University of New So Robinson
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The Traces of Jacques Derrida's Cinema
Timothy (Assistant Professor, Dept. of Film and Media, Assist Holland
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The Traces of Jacques Derrida's Cinema
Timothy (Assistant Professor, Dept. of Film and Media, Assist Holland
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Visions and Victims : Art Melodrama in the Films of Carl Th. Dreyer
Amanda Doxtater
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Artificial Women : Sex Dolls, Robot Caregivers, and More Facsimile Females
Julie (SUNY Maritime College) Wosk
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Artificial Women : Sex Dolls, Robot Caregivers, and More Facsimile Females
Julie (SUNY Maritime College) Wosk
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Traveling Auteurs : The Geopolitics of Postwar Italian Cinema
Luca (Concordia University) Caminati
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Traveling Auteurs : The Geopolitics of Postwar Italian Cinema
Luca (Concordia University) Caminati
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The Ethnographic Optic : Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Laure (Bentley University) Astourian
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The Ethnographic Optic : Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Laure (Bentley University) Astourian
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Ulrike Ottinger : Film, Art and the Ethnographic Imagination
Prof. Angela McRobbie
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