Erard : A Passion for the Piano
Robert (Professor of Organology and Music History, Professor Adelson
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Playing the Cello, 1780-1930
George Kennaway
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John Cage and David Tudor : Correspondence on Interpretation and Performance
Martin (University of Leeds) Iddon
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£62.00
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The Cambridge History of Music Criticism
Christopher Dingle
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£133.00
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Transformations of Musical Modernism
Erling E. (Universitetet i Oslo) Guldbrandsen
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Music and the moderni, 1300-1350 : The ars nova in Theory and Practice
Karen (Brandeis University, Massachusetts) Desmond
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Stravinsky in Context
Graham (City, University of London) Griffiths
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The Other Worlds of Hector Berlioz : Travels with the Orchestra
Inge (Victoria University of Wellington) van Rij
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Dreaming with Open Eyes : Opera, Aesthetics, and Perception in Arcadian Rome
Ayana O. Smith
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The Musical Language of Pierre Boulez : Writings and Compositions
Jonathan (University of Victoria, British Columbia) Goldman
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Categorizing Sound : Genre and Twentieth-Century Popular Music
David Brackett
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R. Murray Schafer : A Creative Life
L. Brett Scott
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Stocktakings : From an Apprenticeship
Pierre (, Director of IRCAM) Boulez
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The Writer's Fugue : Musicalization, Trauma and Subjectivity in the Literature of Modernity
Ruth Skilbeck
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Microgroove : Forays into Other Music
John Corbett
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£107.00
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Real Men Don't Sing : Crooning in American Culture
Allison McCracken
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£107.00
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Postgenomics : Perspectives on Biology after the Genome
Sarah S. Richardson
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£97.00
£90.55
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Negotiated Moments : Improvisation, Sound, and Subjectivity
Gillian Siddall
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Improvisation and Social Aesthetics
Georgina Born
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