Who Hears Here? : On Black Music, Pasts and Present
Guthrie P. Ramsey
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Hearing Luxe Pop : Glorification, Glamour, and the Middlebrow in American Popular Music
John Howland
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Living Genres in Late Modernity : American Music of the Long 1970s
Charles Kronengold
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Stravinsky and the Russian Period : Sound and Legacy of a Musical Idiom
Pieter C. (University of California, Santa Barbara) van den Toorn
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Transformations of Musical Modernism
Erling E. (Universitetet i Oslo) Guldbrandsen
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Music and the Sonorous Sublime in European Culture, 1680–1880
Sarah (University of Bristol) Hibberd
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James MacMillan Studies
George Parsons
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Fictional Blues : Narrative Self-Invention from Bessie Smith to Jack White
Kimberly Mack
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The Jazz Masters : Setting the Record Straight
Peter C. Zimmerman
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Improvising the Score : Rethinking Modern Film Music through Jazz
Gretchen L. Carlson
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The Cambridge Companion to the Eroica Symphony
Nancy (University of Auckland) November
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Music and Metamorphosis in Graeco-Roman Thought
Pauline A. (Yale University, Connecticut) LeVen
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The Well-Tempered Cello
Miranda Wilson
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The Science of Violin Playing
Raphael Bronstein
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Ladies First
Robin Roberts
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The Art of Ancient Music
David Walter Leinweber
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The Lifetime Soundtrack : Music and Autobiographical Memory
Lauren Istvandity
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Auld Lang Syne : A Song and its Culture
Morag Josephine Grant
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Born in the U. S. A. : The Myths of America in Popular Music from Colonial Times to the Present
Timothy E. Scheurer
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Encounters in Ethnomusicology : Essays in Honor of Philip V. Bohlman
Lit Verlag
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Musik an Den Welfenhoefen
Musikwissenschaftliches Institut
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