Boys, Bass and Bother : Popular Dance and Identity in UK Drum 'n' Bass Club Culture
Jo Hall
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Popular Viennese Electronic Music, 1990-2015 : A Cultural History
Ewa Mazierska
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Music Technology
Julio (Anglia Ruskin University, Cambridge) d'Escrivan
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Expanding the Horizon of Electroacoustic Music Analysis
Simon (De Montfort University, Leicester) Emmerson
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The Cambridge Companion to Electronic Music
Nick (University of Durham) Collins
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Handmade Electronic Music : The Art of Hardware Hacking
Nicolas Collins
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Electroacoustic Music in East Asia
Marc (Shenzhen University, China) Battier
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Teaching Electronic Music : Cultural, Creative, and Analytical Perspectives
Blake (College of Charleston, SC, USA) Stevens
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In Search of a Concrete Music
Pierre Schaeffer
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Handmade Electronic Music : The Art of Hardware Hacking
Nicolas (The School of the Art Institute of Chicago, Illinois Collins
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Technology and the Gendering of Music Education
Victoria Armstrong
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Blixa Bargeld and Einsturzende Neubauten: German Experimental Music : 'Evading do-re-mi'
Jennifer Shryane
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Kraftwerk : Music Non-Stop
Sean (London South Bank University, UK) Albiez
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The Oxford Handbook of Interactive Audio
Karen (Canada Research Chair in Interactive Audio, Canada Res Collins
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Assimilate : A Critical History of Industrial Music
S. Alexander (Professor of Music, College of Fine Arts, Professo Reed
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Refining Sound : A Practical Guide to Synthesis and Synthesizers
Brian K. (, School of Music, Texas Christian University, USA) Shepard
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Sampling Media
David (Professor of Film, Professor of Film, College of San Laderman
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Nor-tec Rifa! : Electronic Dance Music from Tijuana to the World
Alejandro L. (Assistant Professor, Latin American and Latino S Madrid
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The Oxford Handbook of Computer Music
Roger T. (Research Professor of Sonic Communication, Research Pr Dean
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The Cambridge Companion to Video Game Music
Melanie (Heinrich-Heine-Universitat Dusseldorf) Fritsch
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Kwaito Bodies : Remastering Space and Subjectivity in Post-Apartheid South Africa
Xavier Livermon
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