Becoming the Beach Boys, 1961-1963
James B. Murphy
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Live Music Production : Interviews with UK Pioneers
Richard Ames
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Women in the Studio : Creativity, Control and Gender in Popular Music Sound Production
Paula Wolfe
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The Music Documentary : Acid Rock to Electropop
Benjamin Halligan
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Global Metal Music and Culture : Current Directions in Metal Studies
Andy Brown
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Made in Australia and Aotearoa/New Zealand : Studies in Popular Music
Shelley Brunt
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Made in Brazil : Studies in Popular Music
Martha Tupinamba de Ulhoa
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Made in Italy : Studies in Popular Music
Franco (Conservatorio di Musica Arrigo Boito di Parma, Italy) Fabbri
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Punk Aesthetics and New Folk : Way Down the Old Plank Road
John Encarnacao
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Popular Music and the State in the UK : Culture, Trade or Industry?
Martin Cloonan
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Musical Rhythm in the Age of Digital Reproduction
Anne Danielsen
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Fado and the Place of Longing : Loss, Memory and the City
Richard Elliott
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Bodies of Sound : Studies Across Popular Music and Dance
Susan C. Cook
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Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Cosi fan tutte
Charles Ford
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The History of Live Music in Britain, Volume I: 1950-1967 : From Dance Hall to the 100 Club
Simon Frith
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Turbo-folk Music and Cultural Representations of National Identity in Former Yugoslavia
Uros (University of New South Wales) Cvoro
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Sound, Society and the Geography of Popular Music
Thomas L. Bell
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Black Sabbath and the Rise of Heavy Metal Music
Andrew L. Cope
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Singer-Songwriters and Musical Open Mics
Marcus Aldredge
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Popular Music and the Myths of Madness
Nicola Spelman
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Please Allow Me to Introduce Myself: Essays on Debut Albums
George Plasketes
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