The Cambridge Companion to West Side Story
Paul R. (University of Kansas) Laird
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Vaughan Williams in Context
Julian (West Chester University, Pennsylvania) Onderdonk
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Aqua's Aquarium
Dr. C.C. (Assistant Professor of History of Art, Bryn Mawr Coll McKee
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Einsturzende Neubauten's Kollaps
Melle Jan (Independent Scholar, Independent Scholar, The Net Kromhout
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Hanna-Barbera, the Recorded History : From Modern Stone Age to Meddling Kids
Greg Ehrbar
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Same Old Song : The Enduring Past in Popular Music
John Paul Meyers
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In with the In Crowd : Popular Jazz in 1960s Black America
Mike Smith
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Wichita Blues : Music in the African American Community
Patrick Joseph O'Connor
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Cabin Boys, Milkmaids, and Rough Seas : Identity in the Unexpurgated Repertoire of Stan Hugill
Jessica M. Floyd
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Growing Your Choral Program : A Practical Guide for New Directors
Nicolas Alberto Dosman
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So You Want to Sing Rock : A Guide for Performers
Matt, associate professor of voice and theatre, Shenandoah Un Edwards
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English and German Diction for Singers : A Comparative Approach
Amanda Johnston
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Tales from the Symphony : Perspectives from African American Musicians
Robert Lee Watt
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Pasticcio Opera in Britain : History and Context
Peter Morgan Barnes
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The Sound of Difference : Race, Class and the Politics of 'Diversity' in Classical Music
Kristina Kolbe
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Ancestral North : Spirituality and Cultural Imagination in Nordic Ritual Folk Music
Ross Hagen
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Seeing Metal Music in Latin America and the Caribbean
Nelson Varas-Diaz
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Rock Poetry in Post-Dictatorship Argentina : An Analysis of Discursive Production in the 1980s
Lucas R. Berone
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A New Philosophy of Songwriting : Cakes, Constellations, and Other Obtuse Metaphors to Help Your Practice
Andy Ward
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