Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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The Practice of Popular Music : Understanding Harmony, Rhythm, Melody, and Form in Commercial Songwriting
Trevor de Clercq
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Remembering Musical Childhoods in Vietnam : 1931-1975
Tina A. Huynh
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Women and the Sikh Diaspora in California : Singing the Seven Seas
Nicole (University of California Davis, USA) Ranganath
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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Embodied Research Through Music Composition and Evocative Life-Writing : Disrupting Diaspora
Soosan Lolavar
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Rhythm, Ancestrality and Spirit in Maracatu de Nacao and Candomble : Repercussions
Lizzie Ogle
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Music Artist Managers : Remuneration and Retention in the Popular Music Business
Guy (Macquarie University, Australia) Morrow
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Representing Hip Hop Histories, Politics and Practices in Australia
Sudiipta (UNSW, Australia) Dowsett
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Music as Agency : Diversities of Perspectives on Artistic Citizenship
Maria (Rhythmic Music Conservatory, Denmark) Westvall
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New Dramaturgies of Contemporary Opera : The Practitioners’ Perspectives
Jingyi Zhang
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Studies in Music, Words, and Imagery in Early Modern Europe
Barbara Russano Hanning
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Supporting Vulnerable Performance Traditions : Keeping it Going in Contexts of Continuity and Change
Georgia Curran
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Jiuta Sokyoku Lyrics and Explanations : Songs of the Floating World
Christopher Yohmei Blasdel
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Black British Gospel Music : From the Windrush Generation to Black Lives Matter
Dulcie A. Dixon McKenzie
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Composing for Silent Film
Jack Curtis Dubowsky
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Music, Piety, and Political Power in 17th Century Salzburg : The Sounds of Good Government
Kimberly Beck Hieb
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David Lynch : Sonic Style
Reba Wissner
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Streaming Sounds : Musical Listening in the Digital Age
Michael James (University of Canberra, Australia) Walsh
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Interactive Technologies and Music Making : Transmutable Music
Tracy (University of Western Australia) Redhead
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Decolonising and Indigenising Music Education : First Peoples Leading Research and Practice
Te Oti Rakena
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