King Arthur in Music
Richard Barber
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Schubert's String Quartets : The Teleology of Lyric Form
Anne (University of Manchester) Hyland
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Music, Politics and Society in Ancient Rome
Harry (Harvard University, Massachusetts) Morgan
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Madama Butterfly/Madamu Batafurai : Transpositions of a 'Japanese Tragedy'
Arthur (Cornell University, New York) Groos
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Composing Myself - A New Edition : Collected Writings, Volume One
Andrzej Panufnik
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Musical Symbolism in the Operas of Debussy and Bartok : Trauma, Gender, and the Unfolding of the Unconscious
Elliot Antokoletz
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The Lute in Britain : A History of the Instrument and Its Music
Matthew (Lecturer, Lecturer, Bath Spa University College) Spring
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Wagner's Parsifal
William (Professor of Musicology, Professor of Musicology, Kinderman
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A Poetics of Handel's Operas
Nathan (is H.W. Stodghill, Jr. and Adele H. Stodghill Professor Link
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Henry Purcell's Dido and Aeneas
Ellen (Class of 1949 Professor Emeritus, Class of 1949 Profess Harris
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Gioachino Rossini's The Barber of Seville
Hilary (Professor of Music, Professor of Music, Northeastern U Poriss
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Music and Belonging Between Revolution and Restoration
Naomi (Assistant Professor, Assistant Professor, Univer Waltham-Smith
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Hearing the Crimean War : Wartime Sound and the Unmaking of Sense
Gavin (Leverhulme Early Career Research Fellow, Leverhulme E Williams
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Liyuanxi - Chinese 'Pear Garden Theatre'
Josh (University of Sydney, Australia) Stenberg
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Staging 'Euridice' : Theatre, Sets, and Music in Late Renaissance Florence
Tim (University of North Carolina, Chapel Hill) Carter
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Popular Opera in Eighteenth-Century France : Music and Entertainment before the Revolution
David Charlton
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Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964–1985
Richard Louis Gillies
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International Who's Who in Classical Music 2020
Europa Publications
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Resounding Taiwan : Musical Reverberations Across a Vibrant Island
Nancy Guy
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New Music and the Crises of Materiality : Sounding Bodies and Objects in Late Modernity
Samuel Wilson
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Finding Democracy in Music
Robert Adlington
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The Beginner’s Guide to Opera Stage Management : Gathering the Tools You Need to Work in Opera
Danielle Ranno
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Horn Teaching at the Paris Conservatoire, 1792 to 1903 : The Transition from Natural Horn to Valved Horn
Jeffrey Snedeker
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Music in the Baroque World : History, Culture, and Performance
Susan Lewis (University of Victoria, British Columbia, Canada Hammond
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