Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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The Oxford Handbook of Community Singing
Esther M. (Associate Professor of Music History, Associa Morgan-Ellis
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Voice, Slavery, and Race in Seventeenth-Century Florence
Emily (Associate Professor of Musicology, Associate Profess Wilbourne
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Transforming Choral Singing : An Activist's Guide for Choir Directors
Charles W. (Artistic Director, Artistic Director, San Diego Gay Beale
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Swinglines : Rhythm, Timing, and Polymeter in Musical Phrasing
Fernando (Professor of Music, Professor of Music, American Un Benadon
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The Cantigas de Santa Maria : Power and Persuasion at the Alfonsine Court
Henry T. (Postdoctoral Researcher, Postdoctoral Researcher, Drummond
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Jazz Migrations : Movement as Place Among New York Musicians
Ofer (Senior Lecturer in Music, Senior Lecturer in Music, Tel A Gazit
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Johann Sebastian Bach's Goldberg Variations Reimagined
Erinn E. (Associate Professor of Music History, Department of Mu Knyt
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Catullus in Twentieth-Century Music : Lyrics and Lyricism
Stephanie (Teacher of Classics and Head of Quadrivium, Teacher o Oade
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Art Music Activism : Aesthetics and Politics in 1930s New York City
Maria Cristina Fava
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Commentaries on the Cantatas of Johann Sebastian Bach : A Selective Guide
Hans-Joachim Schulze
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Screening the Operatic Stage : Television and Beyond
Christopher Morris
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The Routledge Companion to Women and Musical Leadership : The Nineteenth Century and Beyond
Laura Hamer
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Growing Your Choral Program : A Practical Guide for New Directors
Nicolas Alberto Dosman
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English and German Diction for Singers : A Comparative Approach
Amanda Johnston
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Tales from the Symphony : Perspectives from African American Musicians
Robert Lee Watt
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Pasticcio Opera in Britain : History and Context
Peter Morgan Barnes
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