The Sound of Difference : Race, Class and the Politics of 'Diversity' in Classical Music
Kristina Kolbe
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Britten's Gods : Purcell, Bach, Mozart, Schubert, Verdi, Mahler
Sterling Lambert
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The Reminiscences and Selected Criticism of Herbert Thompson
Michael Allis
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The Gentleman Dancing-Master : Mr Isaac and the English Royal Court from Charles II to Queen Anne
Jennifer Thorp
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Autobiographical Recollections of Charles-Marie Widor
John R (Royalty Account) Near
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Narrative and Robert Schumann’s Songs : A New Approach to the Romantic Lied
Dr. Andrew H. (Contributor) Weaver
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The Musical Relationship between Claude Debussy and Igor Stravinsky
Professor Mark McFarland
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Mozart, Genius, and the Possibilities of Art
Professor Edmund J. (Royalty Account) Goehring
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The Nurse in History and Opera: From Servant to Sister
Judith Barger
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Studies in Music, Words, and Imagery in Early Modern Europe
Barbara Russano Hanning
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Music's Making : The Poetry of Music, the Music of Poetry
Michael Cherlin
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Handel’s Messiah : The Creative Process
Amanda Babington
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Music in the Age of the Renaissance
Leeman L. Perkins
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A Concise History of Western Music
Paul Griffiths
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The Art of Partimento : History, Theory, and Practice
Giorgio (Associate Professor of Music Theory, Associate P Sanguinetti
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Curtain, Gong, Steam : Wagnerian Technologies of Nineteenth-Century Opera
Gundula Kreuzer
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Daniels' Orchestral Music
David Daniels
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Chalet Monet : Inside the Home of Dame Joan Sutherland and Richard Bonynge
Richard Bonynge
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Music in the Galant Style
Robert (Professor of Music, School of Music, Professor of Gjerdingen
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