Revisiting the Historiography of Postwar Avant-Garde Music
Anne-Sylvie Barthel-Calvet
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Exposing the Chasms in Voice Pedagogy : Playing the Field
Dale Cox
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Britten Experienced : Modernism, Musicology and Sentiment
Peter Franklin
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Return to Riemann : Tonal Function and Chromatic Music
J. P. E. Harper-Scott
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Arabesque without End : Across Music and the Arts, from Faust to Shahrazad
Anne Leonard
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Early English Composers and the Credo : Emphasis as Interpretation in Sixteenth-Century Music
Wendy J Porter
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Aix : A History of the Aix-en-Provence Festival
Simon Trowbridge
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The Crossings : Defining Slave to the Rhythm
Jeremy J. (University of York) Wells
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The Standard Operaglass; Detailed Plots of two Hundred and Thirty-five Celebrated Operas, With Criti
Charles Annesley
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Friedrich Chopin Als Mensch Und Als Musiker, erster Band.
Frederick Niecks
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New York : A Symphonic Study, In Three Parts, Parts 1-3
Fay Peirce
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Opera : Illustravit Christ. Guil. Mitscherlich, Volume 1...
Horace
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Opera Ad Philosophiam Criticam : Latine Vertit Fredericus Gottlob Born; Volume 4
Immanuel Kant
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Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964-1985
Richard Louis Gillies
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The Routledge Handbook to the Music of Alfred Schnittke
Gavin Dixon
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Musics with and after Tonality : Mining the Gap
Paul Fleet
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Harmony at the Piano : Using Keyboard Harmony to Learn Advanced Piano Music
Ken Johansen
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Forging Pathways to Improvise Music : For Classical, Jazz, Comedic, and Church Musicians
Joseph (Florida Tech, USA) Montelione
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Harmonic Development and Contrapuntal Techniques for the Jazz Pianist : An Imaginative Approach
Gary Motley
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Rudolph Ganz, Patriotism, and Standardization of The Star-Spangled Banner, 1907-1958
Iain Quinn
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Orchestra Management in Practice
Salvino A. Salvaggio
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