Grounding the Analysis of Cognitive Processes in Music Performance : Distributed Cognition in Musical Activity
Linda (University of British Columbia; Simon Fraser Universit Kaastra
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The Routledge Research Companion to Johann Sebastian Bach
Robin Leaver
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The Music Profession in Britain, 1780-1920 : New Perspectives on Status and Identity
Rosemary Golding
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Charles Avison in Context : National and International Musical Links in Eighteenth-Century North-East England
Roz Southey
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Gretry's Operas and the French Public : From the Old Regime to the Restoration
R.J. Arnold
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Bulgarian Harmony : In Village, Wedding, and Choral Music of the Last Century
Kalin S. Kirilov
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Add to BasketSamulNori: Korean Percussion for a Contemporary World
Keith Howard
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The Chinese Zheng Zither : Contemporary Transformations
Sun Zhuo
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Reconceiving Structure in Contemporary Music : New Tools in Music Theory and Analysis
Judy Lochhead
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The German Symphony between Beethoven and Brahms : The Fall and Rise of a Genre
Christopher Fifield
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Teaching Music History with Cases : A Teacher's Guide
Sara Haefeli
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Beethoven’s Dedications : Stories Behind the Tributes
Artur Pereira
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Curating Opera : Reinventing the Past Through Museums of Opera and Art
Stephen Mould
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Hearing Form : Musical Analysis With and Without the Score
Matthew (Texas Tech University, USA) Santa
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The Quest for the Melodic Electric Bass : From Jamerson to Spenner
Per Elias Drabløs
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Evenings with the Orchestra : A Norton Companion for Concertgoers
D Kern Holoman
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Add to BasketThe Compleat Brahms : A Guide to the Musical Works of Johannes Brahms
Leon Botstein
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Add to BasketMozart, Haydn, and Early Beethoven : 1781-1802
Daniel Heartz
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Morality and Viennese Opera in the Age of Mozart and Beethoven
Martin Nedbal
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Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918
Kirsten Gibson
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Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London
Cheryll Duncan
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Disinformation in Mass Media : Gluck, Piccinni and the Journal de Paris
Beverly Jerold
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Cultivating Music : The Aspirations, Interests, and Limits of German Musical Culture, 1770-1848
David Gramit
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