Wagner's Theatre : In Search of a Legacy
Patrick Carnegy
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Charles Villiers Stanford: Man and Musician : Revised and Expanded Edition
Jeremy Dibble
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dots on paper : Philip Glass by Andreas H. Bitesnich
Andreas H. Bitesnich
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Picture a day like this (Limited Edition Full Score)
George Benjamin
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The The Older Liszt : Music, World and Spirit
Peter Coleman
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Building Community Choirs in the Twenty-First Century : Re-imagining Identity through Singing in Northern Ireland
Sarah-Jane Gibson
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Suppressed Composers in the Netherlands : Forbidden Music in the Second World War
Carine Alders
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Musical Modernism in Global Perspective : Entangled Histories on a Shared Planet
Bjorn (University of Glasgow) Heile
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Growing Your Choral Program : A Practical Guide for New Directors
Nicolas Alberto Dosman
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English and German Diction for Singers : A Comparative Approach
Amanda Johnston
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Tales from the Symphony : Perspectives from African American Musicians
Robert Lee Watt
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Britten's Gods : Purcell, Bach, Mozart, Schubert, Verdi, Mahler
Sterling Lambert
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The Reminiscences and Selected Criticism of Herbert Thompson
Michael Allis
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The Gentleman Dancing-Master : Mr Isaac and the English Royal Court from Charles II to Queen Anne
Jennifer Thorp
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Autobiographical Recollections of Charles-Marie Widor
John R (Royalty Account) Near
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Narrative and Robert Schumann’s Songs : A New Approach to the Romantic Lied
Dr. Andrew H. (Contributor) Weaver
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The Musical Relationship between Claude Debussy and Igor Stravinsky
Professor Mark McFarland
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The Nurse in History and Opera: From Servant to Sister
Judith Barger
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Music, the Market, and the Marvellous : Parisian Feerie, 1864-1900
Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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Song in the Novel
Jennifer (Associate Professor in French and Comparative Lit Rushworth
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Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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The Oxford Handbook of Community Singing
Esther M. (Associate Professor of Music History, Associa Morgan-Ellis
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Voice, Slavery, and Race in Seventeenth-Century Florence
Emily (Associate Professor of Musicology, Associate Profess Wilbourne
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