The Routledge Companion to Women and Musical Leadership : The Nineteenth Century and Beyond
Laura Hamer
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Art Music Activism : Aesthetics and Politics in 1930s New York City
Maria Cristina Fava
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Commentaries on the Cantatas of Johann Sebastian Bach : A Selective Guide
Hans-Joachim Schulze
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Screening the Operatic Stage : Television and Beyond
Christopher Morris
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J. S. Bach : The Organ Works
George B. (Dean of the Mason Gross School of the Arts and Pr Stauffer
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Music, the Market, and the Marvellous : Parisian Feerie, 1864-1900
Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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Song in the Novel
Jennifer (Associate Professor in French and Comparative Lit Rushworth
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Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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The Oxford Handbook of Community Singing
Esther M. (Associate Professor of Music History, Associa Morgan-Ellis
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Voice, Slavery, and Race in Seventeenth-Century Florence
Emily (Associate Professor of Musicology, Associate Profess Wilbourne
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Transforming Choral Singing : An Activist's Guide for Choir Directors
Charles W. (Artistic Director, Artistic Director, San Diego Gay Beale
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Swinglines : Rhythm, Timing, and Polymeter in Musical Phrasing
Fernando (Professor of Music, Professor of Music, American Un Benadon
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Jazz Migrations : Movement as Place Among New York Musicians
Ofer (Senior Lecturer in Music, Senior Lecturer in Music, Tel A Gazit
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Johann Sebastian Bach's Goldberg Variations Reimagined
Erinn E. (Associate Professor of Music History, Department of Mu Knyt
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Composing for Silent Film
Jack Curtis Dubowsky
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Music, Piety, and Political Power in 17th Century Salzburg : The Sounds of Good Government
Kimberly Beck Hieb
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Interactive Technologies and Music Making : Transmutable Music
Tracy (University of Western Australia) Redhead
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History as Fantasy in Music, Sound, Image, and Media
James (Edinburgh University) Cook
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