Purcell
Peter (Senior Associate Lecturer, Senior Associate Lecturer, C Holman
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Opera and its Symbols : The Unity of Words, Music and Staging
Robert Donington
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Peter Grimes
Sam Kinchin-Smith
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Singers of Italian Opera : The History of a Profession
John (University of Sussex) Rosselli
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The New Grove Guide to Wagner and His Operas
Barry Millington
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Puccini's La Boheme
Alexandra (Professor of Music and Cultural History, Professor Wilson
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La Traviata
Giuseppe Verdi
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Richard D’Oyly Carte
Paul Seeley
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The Cambridge Companion to Operetta
Anastasia (University of Leeds) Belina
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Dido and Aeneas
Henry Purcell
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Otello (Othello)
Giuseppe Verdi
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Wagner and Tolkien : Mythmakers
Renee Vink
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Latin America and the Transports of Opera : Fragments of a Transatlantic Discourse
Roberto Ignacio Diaz
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Theological Anthropology in Mozart’s La clemenza di Tito : Sin, Grace, and Conversion
Steffen Losel
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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Martin Crimp’s Power Plays : Intertextuality, Sexuality, Desire
Vicky Angelaki
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Cultural Tourism and Cantonese Opera
Jian Ming (City University of Macau, China) Luo
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Rape at the Opera : Staging Sexual Violence
Margaret Cormier
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Popular Opera in Eighteenth-Century France : Music and Entertainment before the Revolution
David Charlton
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Staging Voice
Michal Grover-Friedlander
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Opera Cinema : A New Cultural Experience
Joseph (Kings College London, UK) Attard
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Gracchus : A Tragic Opera in Three Acts
David Hughes
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