Einstein on the Beach: Opera beyond Drama
Jelena Novak
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The Consolations of History: Themes of Progress and Potential in Richard Wagner’s Gotterdammerung
Alexander Shapiro
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The Original Portrayal of Mozart’s Don Giovanni
Magnus Tessing Schneider
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Performing Arts in Changing Societies : Opera, Dance, and Theatre in European and Nordic Countries around 1800
Randi Margrete Selvik
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The Operatic Archive : American Opera as History
Colleen (Queen’s University at Kingston, Canada) Renihan
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Children, Childhood, and Musical Theater
Donelle Ruwe
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Richard Wagner : His Life and his Dramas; a Biographical Study of the Man and an Explanation of his Work
William James Henderson
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The Annals of Covent Garden Theatre from 1732 to 1897
Henry Saxe Wyndham
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Culture and Sacrifice : Ritual Death in Literature and Opera
Derek (University of Aberdeen) Hughes
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Richard Wagner : Self-Promotion and the Making of a Brand
Nicholas (Professor of German and Comparative Literature, Un Vazsonyi
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Haydn's Jews : Representation and Reception on the Operatic Stage
Caryl (University of Toronto) Clark
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The Music of Louis Andriessen
Yayoi Uno (Emory University, Atlanta) Everett
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Musical Symbolism in the Operas of Debussy and Bartok : Trauma, Gender, and the Unfolding of the Unconscious
Elliot Antokoletz
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The Oxford Handbook of Opera
Helen M. (Chair of Music History and Musicology, Chair of M Greenwald
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Music Direction for the Stage : A View from the Podium
Joseph (Instructor in Musical Theater, Instructor in Musical T Church
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The Triumph of Pleasure : Louis XIV and the Politics of Spectacle
Georgia J. Cowart
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Opera and Sovereignty : Transforming Myths in Eighteenth-Century Italy
Martha Feldman
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Opera Observed : Views of a Florentine Impresario in the Early Eighteenth Century
William C. Holmes
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Messa da Requiem : Critical Edition Study Score
Giuseppe Verdi
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Henry Purcell's Dido and Aeneas
Ellen (Class of 1949 Professor Emeritus, Class of 1949 Profess Harris
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Wagner's Parsifal
William (Professor of Musicology, Professor of Musicology, Kinderman
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Gyoergy Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque
Peter (University of Oslo, Norway) Edwards
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Masque and Opera in England, 1656-1688
Andrew Walkling
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