Morality and Viennese Opera in the Age of Mozart and Beethoven
Martin Nedbal
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French Baroque Opera: A Reader : Revised Edition
Caroline Wood
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Arthur Sullivan : A Musical Reappraisal
Benedict Taylor
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National Identity in Contemporary Australian Opera : Myths Reconsidered
Michael Halliwell
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Contextualizing Melodrama in the Czech Lands : In Concert and on Stage
Judith Mabary
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Digital Scenography in Opera in the Twenty-First Century
Caitlin Vincent
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Access, Diversity, Equity and Inclusion in Cultural Organizations : Insights from the Careers of Executive Opera Managers of Color in the US
Antonio C. (Florida State University, USA) Cuyler
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Recomposing the Past: Representations of Early Music on Stage and Screen
James Cook
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Gretry's Operas and the French Public : From the Old Regime to the Restoration
R.J. Arnold
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Opera in a Multicultural World : Coloniality, Culture, Performance
Mary Ingraham
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Urban Politics and Cultural Capital : The Case of Chinese Opera
Ma Haili
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Dissonance in the Republic of Letters : The Querelle Des Gluckistes Et Des Piccinnistes
Mark Darlow
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D’Oyly Carte : The Decline and Fall of an Opera Company
Paul Seeley
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Opera in Performance : Analyzing the Performative Dimension of Opera Productions
Clemens Risi
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Gilbert and Sullivan : Class and the Savoy Tradition, 1875-1896
Regina B. Oost
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Verdi’s Exceptional Women: Giuseppina Strepponi and Teresa Stolz
Caroline Ellsmore
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Grand Opera Outside Paris : Opera on the Move in Nineteenth-Century Europe
Jens (University of Copenhagen, Denmark) Hesselager
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Three Modes of Perception in Mozart : The Philosophical, Pastoral, and Comic in Cosi fan tutte
Edmund J. (University of Notre Dame, Indiana) Goehring
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Aesthetics of Opera in the Ancien Regime, 1647-1785
Downing A. (University of Iowa) Thomas
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The Puccini Problem : Opera, Nationalism, and Modernity
Alexandra (Oxford Brookes University) Wilson
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Wagner Rehearsing the 'Ring' : An Eye-Witness Account of the Stage Rehearsals of the First Bayreuth Festival
Heinrich Porges
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