Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Studies in Music, Words, and Imagery in Early Modern Europe
Barbara Russano Hanning
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The International Who's Who in Classical/Popular Music Set 2024
Europa Publications
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Music, Piety, and Political Power in 17th Century Salzburg : The Sounds of Good Government
Kimberly Beck Hieb
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Interactive Technologies and Music Making : Transmutable Music
Tracy (University of Western Australia) Redhead
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History as Fantasy in Music, Sound, Image, and Media
James (Edinburgh University) Cook
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Lutes and Marginality in Pre-Modern China : Art History, Archaeology, and Music Iconography
Ingrid Maren Furniss
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The Routledge Companion to Women and Musical Leadership : The Nineteenth Century and Beyond
Laura Hamer
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From Stage to Studio : Performances versus Recordings in Classical Music
Amy (Royal Academy of Music, UK) Blier-Carruthers
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Musical Modernism in Global Perspective : Entangled Histories on a Shared Planet
Bjorn Heile
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Musical Modernism in Global Perspective : Entangled Histories on a Shared Planet
Bjorn (University of Glasgow) Heile
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Musical Modernism in Global Perspective : Entangled Histories on a Shared Planet
Bjorn (University of Glasgow) Heile
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Pasticcio Opera in Britain : History and Context
Peter Morgan Barnes
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The Sound of Difference : Race, Class and the Politics of 'Diversity' in Classical Music
Kristina Kolbe
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Handel’s Messiah : The Creative Process
Amanda Babington
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Maqam Melodies : Pitches, Patterns, and Developments of Music in the Middle East and other Microtonal Writings
Peter Thoegersen
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Growing Your Choral Program : A Practical Guide for New Directors
Nicolas Alberto Dosman
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English and German Diction for Singers : A Comparative Approach
Amanda Johnston
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Tales from the Symphony : Perspectives from African American Musicians
Robert Lee Watt
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Britten's Gods : Purcell, Bach, Mozart, Schubert, Verdi, Mahler
Sterling Lambert
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