Pasticcio Opera in Britain : History and Context
Peter Morgan Barnes
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The Sound of Difference : Race, Class and the Politics of 'Diversity' in Classical Music
Kristina Kolbe
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Britten's Gods : Purcell, Bach, Mozart, Schubert, Verdi, Mahler
Sterling Lambert
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The Reminiscences and Selected Criticism of Herbert Thompson
Michael Allis
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The Gentleman Dancing-Master : Mr Isaac and the English Royal Court from Charles II to Queen Anne
Jennifer Thorp
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Autobiographical Recollections of Charles-Marie Widor
John R (Royalty Account) Near
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Narrative and Robert Schumann’s Songs : A New Approach to the Romantic Lied
Dr. Andrew H. (Contributor) Weaver
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The Musical Relationship between Claude Debussy and Igor Stravinsky
Professor Mark McFarland
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Mozart, Genius, and the Possibilities of Art
Professor Edmund J. (Royalty Account) Goehring
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The Nurse in History and Opera: From Servant to Sister
Judith Barger
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Picture a Day Like This (full score)
George Benjamin
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The Technique of Orchestration
Kent Kennan
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The Technique of Orchestration Workbook
Kent Kennan
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The Technique of Orchestration - Textbook and Workbook Set
Kent Kennan
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Studies in Music, Words, and Imagery in Early Modern Europe
Barbara Russano Hanning
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