European Music, 1520-1640
James Haar
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Verse and Voice in Byrd's Song Collections of 1588
Jeremy L. (Customer) Smith
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Icons of Sound : Voice, Architecture, and Imagination in Medieval Art
Bissera (Stanford University, USA) Pentcheva
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Music Theory in the Safavid Era : The taqsim al-nagamat
Owen Wright
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On the Origin and Progress of the Art of Music by John Taverner
Joseph M. Ortiz
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Hildegard von Bingen's Ordo Virtutum : A Musical and Metaphysical Analysis
Michael Gardiner
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Henry V and the Earliest English Carols: 1413-1440
David Fallows
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Upper-Voice Structures and Compositional Process in the Ars Nova Motet
Anna Zayaruznaya
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Baronial Patronage of Music in Early Modern Rome
Valerio Morucci
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The Hymnographic Book of Tropologion : Sources, Liturgy and Chant Repertory
Svetlana Kujumdzieva
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Thomas Tallis
John Harley
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Manuscript Inscriptions in Early English Printed Music
David Greer
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Magister Jacobus de Ispania, Author of the Speculum musicae
Margaret Bent
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The 'Ars musica' Attributed to Magister Lambertus/Aristoteles
Christian Meyer
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The Cyclic Mass : Anglo-Continental Exchange in the Fifteenth Century
James Cook
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Mapping the Motet in the Post-Tridentine Era
Esperanza Rodriguez-Garcia
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Eros and Music in Early Modern Culture and Literature
Claire Bardelmann
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Early Music Printing in German-Speaking Lands
Andrea Lindmayr-Brandl
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Singing the News : Ballads in Mid-Tudor England
Jenni Hyde
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Music Theory in Late Medieval Avignon : Magister Johannes Pipardi
Karen M. Cook
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Performing Homer: The Voyage of Ulysses from Epic to Opera
Wendy Heller
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Aspects of Early English Keyboard Music before c.1630
David Smith
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The Singing of the Strasbourg Protestants, 1523-1541
Daniel Trocme-Latter
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