Music and Instruments of the Elizabethan Age : The Eglantine Table
Michael (Royalty Account) Fleming
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A Critical Companion to Medieval Motets
Jared C. (Customer) Hartt
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Printing Music in Renaissance Rome
Jane A. Bernstein
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Printing Music in Renaissance Rome
Jane A. Bernstein
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Music in Medieval Rituals for the End of Life
Elaine (Editor, Editor, Corpus monodicum) Stratton Hild
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From Modes to Keys in Early Modern Music Theory
Michael R. (Associate Professor, Associate Professor, Universit Dodds
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The Motet in the Late Middle Ages
Margaret (Emeritus Fellow, Emeritus Fellow, All Souls College, O Bent
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Music and Performance in the Book of Hours
Michael Alan Anderson
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Material Cultures of Music Notation : New Perspectives on Musical Inscription
Floris (Utrecht University, Netherlands) Schuiling
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Early English Composers and the Credo : Emphasis as Interpretation in Sixteenth-Century Music
Wendy J Porter
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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The Liturgical Poetry of Adam of St. Victor; Volume III
Adam De Saint-Victor
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From Modes to Keys in Early Modern Music Theory
Michael R. Dodds
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Song, Landscape, and Identity in Medieval Northern France : Toward an Environmental History
Jennifer (Presidential Professor and Associate Professor o Saltzstein
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Music in Medieval Rituals for the End of Life
Elaine Stratton Hild
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Music in Medieval Rituals for the End of Life
Elaine Stratton Hild
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The Motet in the Late Middle Ages
Margaret Bent
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Monteverdi and the Marvellous : Poetry, Sound, and Representation
Roseen Giles
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Monteverdi and the Marvellous : Poetry, Sound, and Representation
Roseen (Duke University, North Carolina) Giles
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Monteverdi and the Marvellous : Poetry, Sound, and Representation
Roseen Giles
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Music and the Making of Medieval Venice
Jamie L. Reuland
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Music and the Making of Medieval Venice
Jamie L. Reuland
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