Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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The Technique of Orchestration - Textbook and Workbook Set
Kent Kennan
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Studies in Music, Words, and Imagery in Early Modern Europe
Barbara Russano Hanning
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The International Who's Who in Classical/Popular Music Set 2024
Europa Publications
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Music, Piety, and Political Power in 17th Century Salzburg : The Sounds of Good Government
Kimberly Beck Hieb
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Interactive Technologies and Music Making : Transmutable Music
Tracy (University of Western Australia) Redhead
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Interactive Technologies and Music Making : Transmutable Music
Tracy (University of Western Australia) Redhead
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History as Fantasy in Music, Sound, Image, and Media
James (Edinburgh University) Cook
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Lutes and Marginality in Pre-Modern China : Art History, Archaeology, and Music Iconography
Ingrid Maren Furniss
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The Routledge Companion to Women and Musical Leadership : The Nineteenth Century and Beyond
Laura Hamer
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From Stage to Studio : Performances versus Recordings in Classical Music
Amy (Royal Academy of Music, UK) Blier-Carruthers
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The Year that Made the Musical : 1924 and the Glamour of Musical Theatre
William A. (University of Missouri, Kansas City) Everett
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Musical Modernism in Global Perspective : Entangled Histories on a Shared Planet
Bjorn (University of Glasgow) Heile
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J. S. Bach : The Organ Works
George B. (Dean of the Mason Gross School of the Arts and Pr Stauffer
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