The Triumph of Pleasure : Louis XIV and the Politics of Spectacle
Georgia J. Cowart
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Music, Discipline, and Arms in Early Modern France
Kate van Orden
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Tonal Space in the Music of Antonio Vivaldi
Bella Brover-Lubovsky
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Musical Cultures in Seventeenth-Century Russia
Claudia R. Jensen
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Music and the Language of Love : Seventeenth-Century French Airs
Catherine Gordon-Seifert
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Masque and Opera in England, 1656-1688
Andrew Walkling
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Rethinking J.S. Bach's The Art of Fugue
Anatoly Milka
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Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918
Kirsten Gibson
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French Baroque Opera: A Reader : Revised Edition
Caroline Wood
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Unaccompanied Bach : Performing the Solo Works
Dr David Ledbetter
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Tainted Glory in Handel’s Messiah : The Unsettling History of the World’s Most Beloved Choral Work
Michael Marissen
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Music in Spain during the Eighteenth Century
Malcolm Boyd
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Bach Studies 2
Daniel R. (Yale University, Connecticut) Melamed
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Jean-Baptiste Lully and the Music of the French Baroque : Essays in Honor of James R. Anthony
John Hajdu Heyer
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Aesthetics of Opera in the Ancien Regime, 1647-1785
Downing A. (University of Iowa) Thomas
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Henry Purcell : The Origins and Development of his Musical Style
Martin (Trinity College, Dublin) Adams
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C.P.E. Bach Studies
Annette (Cornell University, New York) Richards
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Early Printed Music and Material Culture in Central and Western Europe
Andrea (University of Salzburg, Austria) Lindmayr-Brandl
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The Operas of Rameau : Genesis, Staging, Reception
Graham Sadler
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The Musician in Literature in the Age of Bach
Stephen (Royal Holloway, University of London) Rose
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