Performativity and Performance in Baroque Rome
Peter Gillgren
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The Ashgate Research Companion to Henry Purcell
Rebecca Herissone
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Style and Performance for Bowed String Instruments in French Baroque Music
Mary Cyr
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New Perspectives on Marc-Antoine Charpentier
Shirley Thompson
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Music in the British Provinces, 1690-1914
Peter Holman
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Sacred Music as Public Image for Holy Roman Emperor Ferdinand III : Representing the Counter-Reformation Monarch at the End of the Thirty Years' War
Andrew H. Weaver
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A Woman's Voice in Baroque Music: Mariane von Ziegler and J.S. Bach
MarkA. Peters
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Heinrich Scheidemann's Keyboard Music : Transmission, Style and Chronology
Pieter Dirksen
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Aspects of the Secular Cantata in Late Baroque Italy
Michael Talbot
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The Performance of Italian Basso Continuo : Style in Keyboard Accompaniment in the Seventeenth and Eighteenth Centuries
Giulia Nuti
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Johann Joseph Fux and the Music of the Austro-Italian Baroque
Harry White
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Music in the Collective Experience in Sixteenth-Century Milan
Christine Suzanne Getz
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Baroque Woodwind Instruments : A Guide to Their History, Repertoire and Basic Technique
Paul Carroll
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The Stylus Phantasticus and Free Keyboard Music of the North German Baroque
Paul Collins
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Consort Suites and Dance Music by Town Musicians in German-Speaking Europe, 1648–1700
Michael Robertson
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Bach Performance Practice, 1945-1975 : A Comprehensive Review of Sound Recordings and Literature
Dorottya Fabian
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Sexualities, Textualities, Art and Music in Early Modern Italy : Playing with Boundaries
Melanie L. Marshall
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Trombone : Its History and Music, 1697-1811
D. M. Guion
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Critica Musica : Essays in Honour of Paul Brainard
J. Knowles
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'Allegri's Miserere' in the Sistine Chapel
Graham O'Reilly
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