Art, Theatre, and Opera in Paris, 1750-1850 : Exchanges and Tensions
Sarah Hibberd
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Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris
Mark Everist
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Add to BasketGaetano Donizetti : A Research and Information Guide
James P. (University of Pittsburgh, USA) Cassaro
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Vincenzo Bellini : A Guide to Research
Stephen Willier
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Gioachino Rossini : A Research and Information Guide
Denise Gallo
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Recognition in Mozart's Operas
Jessica (Assistant Professor of Music, Assistant Professor of Waldoff
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The Tragic and the Ecstatic : The Musical Revolution of Wagner's Tristan und Isolde
Eric (Professor, Professor, Brandeis University) Chafe
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Tin Pan Opera : Operatic Novelty Songs in the Ragtime Era
Larry (Assistant Professor of Music, Assistant Professor of Hamberlin
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Musical Symbolism in the Operas of Debussy and Bartok : Trauma, Gender, and the Unfolding of the Unconscious
Elliot Antokoletz
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Carmen and the Staging of Spain : Recasting Bizet's Opera in the Belle Epoque
Michael (Lecturer in Music, Lecturer in Music, Univers Christoforidis
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Vocal Virtuosity : The Origins of the Coloratura Soprano in Nineteenth-Century Opera
Sean M. (Associate Professor of Music, Associate Professor of Mu Parr
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Add to BasketThe Oxford Handbook of Opera
Helen M. (Chair of Music History and Musicology, Chair of M Greenwald
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Reconfiguring Myth and Narrative in Contemporary Opera : Osvaldo Golijov, Kaija Saariaho, John Adams, and Tan Dun
Yayoi Uno Everett
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Add to BasketThree Loves for Three Oranges : Gozzi, Meyerhold, Prokofiev
Dassia N. Posner
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Add to BasketMamontov's Private Opera : The Search for Modernism in Russian Theater
Olga Haldey
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Add to BasketThe Italian Traditions and Puccini : Compositional Theory and Practice in Nineteenth-Century Opera
Nicholas Baragwanath
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Tristan`s Shadow - Sexuality and the Total Work of Art after Wagner
Adrian Daub
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Add to BasketThe Triumph of Pleasure : Louis XIV and the Politics of Spectacle
Georgia J. Cowart
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Add to BasketOpera and Sovereignty : Transforming Myths in Eighteenth-Century Italy
Martha Feldman
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Add to BasketOpera Observed : Views of a Florentine Impresario in the Early Eighteenth Century
William C. Holmes
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Add to BasketSeventeenth-Century Opera and the Sound of the Commedia dell'Arte
Emily Wilbourne
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