A Performer's Guide to Seventeenth-Century Music, Second Edition
Jeffery Kite-Powell
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Handel as Orpheus : Voice and Desire in the Chamber Cantatas
Ellen T. Harris
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Dramma per Musica : Italian Opera Seria of the Eighteenth Century
Reinhard Strohm
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Bach & God
Michael (Professor of Music, Emeritus, Professor of Music, E Marissen
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The Cambridge History of Eighteenth-Century Music
Simon P. (University of Sheffield) Keefe
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Studies in Historical Improvisation : From Cantare super Librum to Partimenti
Massimiliano Guido
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Bach's Well-Tempered Clavier : An Exploration of the 48 Preludes and Fugues
Marjorie Wornell Engels
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The Creative Development of Johann Sebastian Bach, Volume I: 1695-1717 : Music to Delight the Spirit
Richard D. P. (Music writer and Editor) Jones
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The Pathetick Musician : Moving an Audience in the Age of Eloquence
Bruce (Former Associate Professor of Music, Former Associate P Haynes
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The Virtual Haydn : Paradox of a Twenty-First-Century Keyboardist
Tom Beghin
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Early English Viols: Instruments, Makers and Music
Michael Fleming
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Anthology for Music in the Baroque
Wendy (Princeton University) Heller
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Bach and the Riddle of the Number Alphabet
Ruth Tatlow
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Experiencing Tchaikovsky : A Listener's Companion
David Schroeder
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Performativity and Performance in Baroque Rome
Peter Gillgren
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The Ashgate Research Companion to Henry Purcell
Rebecca Herissone
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Style and Performance for Bowed String Instruments in French Baroque Music
Mary Cyr
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New Perspectives on Marc-Antoine Charpentier
Shirley Thompson
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Music in the British Provinces, 1690-1914
Peter Holman
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Sacred Music as Public Image for Holy Roman Emperor Ferdinand III : Representing the Counter-Reformation Monarch at the End of the Thirty Years' War
Andrew H. Weaver
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A Woman's Voice in Baroque Music: Mariane von Ziegler and J.S. Bach
MarkA. Peters
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Heinrich Scheidemann's Keyboard Music : Transmission, Style and Chronology
Pieter Dirksen
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Aspects of the Secular Cantata in Late Baroque Italy
Michael Talbot
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