The Art of the Unspoken : Rhetorical Devices, Linguistic Parallels and the Influence of the Singing Voice in Classical and Romantic Piano Literature
Gabriela Mayer
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Music from the Hilltop : Organs and Organists at Southern Methodist University
Benjamin A Kolodziej
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Modes of Communication in Stravinsky’s Works : Sign and Expression
Per Dahl
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Tradition and Creativity in Korean Taegum Flute Performance
Hyelim Kim
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Community-Engaged Performance Tours : A Guide for Music Ensemble Directors and Educators
James Spinazzola
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Harmony at the Piano : Using Keyboard Harmony to Learn Advanced Piano Music
Ken Johansen
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Harmonic Development and Contrapuntal Techniques for the Jazz Pianist : An Imaginative Approach
Gary Motley
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Orchestra Management in Practice
Salvino A. Salvaggio
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Teaching Violin, Viola, Cello, and Double Bass : Historical and Modern Pedagogical Practices
Dijana Ihas
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Brazilian Research on Creativity Development in Musical Interaction
Rosane Cardoso de Araujo
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Harp Studies II : World Harp Traditions
Sandra Joyce
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The Sound of Byzantium – The Byzantine Musical Instruments
Antonios Botonakis
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Add to BasketCAGEDrules! Volume 2 : Minor, Diminshed, Augmented Shapes
Robert Landy Landinger
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Basso Continuo for Bach´s Cello Suites : created by Jeremias Sanz Ablanedo
Jeremias Sanz Ablanedo
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Trinity College London: Guitar Exam Pieces Grade 2 2016-2019
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Organ Technique : Modern and Early
George H. (Head of the Organ Department and Marguerite Scriba Ritchie
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Sight Reading: Piano Music for Sight Reading and Short Study, Level 2
Diane Hidy
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Violin Exam Pieces Grade 1 2016-2019
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Violin Exam Pieces Grade 2 2016-2019
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