The Poetics of Iranian Cinema : Aesthetics, Modernity and Film After the Revolution
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Abject Spaces in American Cinema : Institutional Settings, Identity and Psychoanalysis in Film
Frances Pheasant-Kelly
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The Death Penalty in American Cinema : Criminality and Retribution in Hollywood Film
Yvonne Kozlovsky-Golan
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Marking Time : Performance, Archaeology and the City
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Cinematography: Theory and Practice : For Cinematographers and Directors
Blain Brown
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21st Century Guitar : Evolutions and Augmentations
Dr. Richard (Lecturer in Music Performance, University of Kent, Perks
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The Routledge Companion to Aesthetics
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The Music Business and Recording Industry
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Hijikata Tatsumi and Butoh : Dancing in a Pool of Gray Grits
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The Music Industries : From Conception to Consumption
M., PhD, MCSP Jones
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The Simpsons, Satire, and American Culture
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Mise En Scene and Film Style : From Classical Hollywood to New Media Art
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Radio Propaganda and the Broadcasting of Hatred : Historical Development and Definitions
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The Works of Tim Burton : Margins to Mainstream
J. Weinstock
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Jazz Theory : From Basic to Advanced Study
Dariusz (Eastman School of Music, USA) Terefenko
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The Teaching of Instrumental Music
Richard J. (University of Illinois at Urbana Champaign School Colwell
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The Principles and Practice of Tonal Counterpoint
Evan Jones
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Music in the Baroque World : History, Culture, and Performance
Susan Lewis (University of Victoria, British Columbia, Canada Hammond
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The John Coltrane Reference
Lewis (Rutgers University, USA) Porter
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Music Theory Through Improvisation : A New Approach to Musicianship Training
Ed (University of Michigan, USA) Sarath
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Twentieth-Century Music Theory and Practice
Edward Pearsall
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The Craft of Tonal Counterpoint
Thomas Benjamin
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