Bartok's Viola Concerto : The Remarkable Story of His Swansong
Donald Maurice
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Time in Contemporary Musical Thought
Jonathan D. Kramer
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Consuming Music in the Digital Age : Technologies, Roles and Everyday Life
Raphael Nowak
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Digital Compositing for Film and Video : Production Workflows and Techniques
Steve Wright
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Algorithmic Composition : Paradigms of Automated Music Generation
Gerhard Nierhaus
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Clara Schumann : The Artist and the Woman
Nancy Reich
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Making Meaning : Inference and Rhetoric in the Interpretation of Cinema
David Bordwell
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Analog Days : The Invention and Impact of the Moog Synthesizer
Trevor Pinch
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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
David (University of Toronto, Canada) Beach
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Parsifal : In Full Score
Richard Wagner
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The Musical Art of Synthesis
Sam (University of Colorado, Denver, CO; Appalachian State Un McGuire
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Explorations in New Cinema History : Approaches and Case Studies
Richard Maltby
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Existential Media : A Media Theory of the Limit Situation
Amanda Lagerkvist
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The Emotional Power of Music : Multidisciplinary perspectives on musical arousal, expression, and social control
Tom Cochrane
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Musical Imaginations : Multidisciplinary perspectives on creativity, performance and perception
David Hargreaves
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Musimathics : The Mathematical Foundations of Music
Gareth Loy
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Video Editing with Avid: Media Composer, Symphony, Xpress
Roger Shufflebottom
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The Physics of Musical Instruments
Neville H. Fletcher
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Jazz Theory : From Basic to Advanced Study
Dariusz (Eastman School of Music, USA) Terefenko
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Practical Recording Techniques : The Step-by-Step Approach to Professional Audio Recording
Bruce Bartlett
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Producing and Directing the Short Film and Video
David K. Irving
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