Film Theory : An Introduction through the Senses
Thomas Elsaesser
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The Filmmaker’s Guide to Digital Imaging : for Cinematographers, Digital Imaging Technicians, and Camera Assistants
Blain Brown
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If It's Purple, Someone's Gonna Die : The Power of Color in Visual Storytelling
Patti (Color Consultant, Patti Bellantoni Inc., USA) Bellantoni
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Film Posters of the Russian Avant-Garde
Susan Pack
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Film Studies : Critical Approaches
John (Senior Lecturer, Department of Media and Performance Studi Hill
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Cutting Rhythms : Intuitive Film Editing
Karen Pearlman
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E.T. the Extra-Terrestrial: The Ultimate Visual History
Caseen Gaines
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Storytelling for Virtual Reality : Methods and Principles for Crafting Immersive Narratives
John Bucher
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French New Wave : A Revolution in Design
Christopher Frayling
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Script Supervising and Film Continuity
Pat P Miller
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100 Movies of the 1980s
Jurgen Muller
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Jurassic World: The Ultimate Visual History
James Mottram
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The Story Of Disney: 100 Years Of Wonder
John Baxter
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Color, The Film Reader
Angela (Georgia Institute of Technology, Atlanta, USA) Dalle Vacche
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The Shut Up and Shoot Documentary Guide : A Down & Dirty DV Production
Anthony Q. Artis
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Kevin Smith's Secret Stash : The Definitive Visual History
Kevin Smith
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Film Noir Portraits
Tony Nourmand
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Ink & Paint : The Women of Walt Disney's Animation
Mindy Johnson
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The Shining: A Visual and Cultural Haunting - Edited by Craig Oldham (Standard Edition)
Craig Oldham
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100 Movies of the 2000s
Jurgen Muller
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The Address of the Eye : A Phenomenology of Film Experience
Vivian Sobchack
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Film Directing Fundamentals : See Your Film Before Shooting
Nicholas T. (Professor of Film at the Film Division, School Proferes
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Being Bardot : Photographed by Douglas Kirkland and Terry O'Neill
Iconic Images
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