Mariachi in the Twenty-First Century
Donald A. (San Jose State University) Westbrook
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Chinese Emigre Composers and Divergent Modernisms : Chen Yi and Zhou Long
Mia (Curtis Institute of Music) Chung
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The Festival of India : Development and Diplomacy at the End of the Cold War
Rashna Darius (University of Warwick) Nicholson
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The YouTube Apparatus
Kevin (Pennsylvania State University) Munger
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Background Music Cultures in Finnish Urban Life
Heikki (University of Eastern Finland) Uimonen
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Wittgenstein on Music
Eran (The Max Stern Yezreel Valley College) Guter
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Original Pirate Material : The Streets and Hip-hop Transatlantic Exchange
Justin A. (University of Bristol) Williams
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Entertainment, Pleasure, and Meaning in Early England
Martha (University of Oregon) Bayless
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Playing the Percentages : How Film Distribution Made the Hollywood Studio System
Derek Long
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Digital Visual Art Education : Making, Learning, and Teaching with Digital Media
Sweeny Robert Sweeny
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Digital Visual Art Education : Making, Learning, and Teaching with Digital Media
Sweeny Robert Sweeny
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Cinema and Surveillance : The Asymmetric Gaze
Martin (Rice University, USA) Blumenthal-Barby
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Composing for Silent Film
Jack Curtis Dubowsky
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David Lynch : Sonic Style
Reba Wissner
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Filmmaking in Academia : Practice Research for Filmmakers
Agata Lulkowska
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Embodied Research Through Music Composition and Evocative Life-Writing : Disrupting Diaspora
Soosan Lolavar
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Passion and Elegance : How Flamenco and Classical Ballet Met at the Ballets Russes
Barbara File Marangon
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Music Artist Managers : Remuneration and Retention in the Popular Music Business
Guy (Macquarie University, Australia) Morrow
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Points of Disruption in the Music Education Curriculum, Volume 2 : Individual Changes
Marshall Haning
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Points of Disruption in the Music Education Curriculum, Volume 1 : Systemic Changes
Marshall Haning
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New Dramaturgies of Contemporary Opera : The Practitioners’ Perspectives
Jingyi Zhang
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Decolonial Imaginaries in Palestinian Experimental Film and Video : Postnational and Feminist Aesthetics
Kristin Lene (Portland State University, USA) Hole
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Music, Subcultures and Migration : Routes and Roots
Elke Weesjes
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