Spaces of Puppets in Popular Culture : Grotesque Geographies of the Borderscape
Janet (University of Oxford, UK) Banfield
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West Side Story, Gypsy, and the Art of Broadway Orchestration
Paul (University of Kansas, USA) Laird
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Jazz Theory Workbook : From Basic to Advanced Study
Dariusz (Eastman School of Music, USA) Terefenko
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Ernest John Moeran : His Life and Music
Ian (Honorary Research Fellow, Music Department, University o Maxwell
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Spanish Film Policies and Gender
Jara Fernandez (University of Southampton, UK) Meneses
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Documentary Storytelling : Creative Nonfiction on Screen
Sheila (University at Albany, State University of New Curran Bernard
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The International Film Business : A Market Guide Beyond Hollywood
Angus (London Film School and University of Exeter, UK) Finney
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India's New Independent Cinema : Rise of the Hybrid
Ashvin Immanuel (Queen Mary University of London, UK) Devasundaram
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African American Female Leadership in Major Motion Pictures : From Marginalized to Mainstream
Tracy L.F. (University of Baltimore, USA) Worley
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Keyboard Skills for the Practical Musician
Cole (Bowling Green State University College of Musical Arts, Burger
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The Acoustic Self in English Modernism and Beyond : Writing Musically
Zoltan (Western Norway University of Applied Sciences, Norway) Varga
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A Sonata Theory Handbook
James (Henry L. and Lucy G. Moses Professor Emeritus of Mus Hepokoski
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Audio Production Worktext : Concepts, Techniques, and Equipment
Samuel (University of North Texas, USA) Sauls
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The Art of Digital Orchestration
Sam (University of Colorado, Denver, CO; Appalachian State Un McGuire
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Corporate Wrongdoing on Film : The ‘Public Be Damned’
Kenneth (Professor at Wilfrid Laurier Univ., Canada) Dowler
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Encounters with Jazz on Television in Cold War Era Portugal : 1954-1974
Pedro (Birmingham City University, UK) Cravinho
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Tallinn '67 Jazz Festival : Myths and Memories
Heli (University of the Arts Helsinki, Finland) Reimann
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The Donkey King : Asinine Symbology in Ancient and Medieval Magic
Emily (University of Exeter) Selove
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The Crossings : Defining Slave to the Rhythm
Jeremy J. (University of York) Wells
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Thinking Past ‘Post-9/11’ : Home, Nation and Transnational Desires in Pakistani English Novels and Hindi Films
Jayana (University of Munster, Germany) Jain
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Illusion in Cultural Practice : Productive Deceptions
Katharina (University of Potsdam, Germany) Rein
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Politicised Cinema : Post-War Film, Cultural Diplomacy and UNESCO
Miia (University of Jyvaskyla, Finland) Huttunen
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Quality Telefantasy : How US Quality TV Brought Zombies, Dragons and Androids into the Mainstream
Andrew (Swinburne University of Technology) Lynch
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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