Interactive Storytelling for the Screen
Sylke Rene Meyer
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Maximum Movies—Pulp Fictions : Film Culture and the Worlds of Samuel Fuller, Mickey Spillane, and Jim Thompson
Peter Stanfield
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Mama's Gun : Black Maternal Figures and the Politics of Transgression
Marlo D David
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Script Analysis : Deconstructing Screenplay Fundamentals
James Bang
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Script Analysis : Deconstructing Screenplay Fundamentals
James Bang
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Hafiz of Shiraz : Book Two, The Middle Years: The Life, Poetry & Times of the Immortal Persian Poet
Paul Smith
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Proof of Concept: Writing the Short Script
Juliet Giglio
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The Big Book of Japanese Giant Monster Movies : The Lost Films: Mutated Edition
John Lemay
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Terror of the Lost Tokusatsu Films : From the FIles of The Big Book of Japanese Giant Monster Movies
John Lemay
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Writing Japanese Monsters : From the Files of The Big Book of Japanese Giant Monster Movies
John Lemay
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Boy on a String : From Cast-Off Kid to Filmmaker through the Magic of Dreams
Joseph Jacoby
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Jaws Unmade : The Lost Sequels, Prequels, Remakes, and Rip-Offs
John Lemay
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The Structure of Story : How to Write Great Stories by Focusing on What Really Matters
Ross Hartmann
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Raindance Writers' Lab : Write + Sell the Hot Screenplay
Elliot Grove
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Raindance Writers' Lab : Write + Sell the Hot Screenplay
Elliot Grove
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Crafting Short Screenplays That Connect
Claudia Hunter Johnson
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Interactive Storytelling for the Screen
Sylke Rene Meyer
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Organic Screenwriting : Writing for Film, Naturally
Mark David Gerson
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Screenwriting for Neurotics : A Beginner's Guide to Writing a Feature-Length Screenplay from Start to Finish
Scott Winfield Sublett
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Write What You Don't Know : An Accessible Manual for Screenwriters
Hoxter Julian Hoxter
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The Pleasures of Structure : Learning Screenwriting Through Case Studies
Hoxter Julian Hoxter
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The Pleasures of Structure : Learning Screenwriting Through Case Studies
Hoxter Julian Hoxter
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