Texts and Violence in the Roman World
Monica R. (Trinity College Dublin) Gale
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Ghosts, Holes, Rips and Scrapes : Shakespeare in 1619, Bibliography in the Longue Duree
Zachary Lesser
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Setting the Stage : Transitional playwrights in Irish 1910-1950
Philip O'Leary
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Walter Macken : Critical perspectives
Sandra Heinen
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Performing Women : Gender, Self, and Representation in Late Medieval Metz
Susannah Crowder
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Interweaving Myths in Shakespeare and His Contemporaries
Janice Valls-Russell
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The Massacre at Paris : By Christopher Marlowe
Mathew R. Martin
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Antony and Cleopatra
Carol Chillington Rutter
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Serial Shakespeare : An Infinite Variety of Appropriations in American Tv Drama
Elisabeth Bronfen
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Shakespeare's Resources
John Drakakis
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The Arden Dictionary of Shakespeare Quotations
Jane Armstrong
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Playing the King: Lope de Vega and the Limits of Conformity
Melveena McKendrick
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Communal Justice in Shakespeare's England : Drama, Law, and Emotion
Penelope Geng
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Modernist Disguise : Masquerade in Modern Performance and Visual Culture
Ron J. Popenhagen
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A Midsummer Night’s Dream: Language and Writing
R.S. White
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The Genres of Renaissance Tragedy
Daniel Cadman
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Shakespeare's Imaginary Constitution : Late Elizabethan Politics and the Theatre of Law
Paul (University of Warwick, UK) Raffield
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Under the Greenwood Tree : A Celebration of Kentucky Shakespeare
Tracy E. K'Meyer
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Staging "The Mysterious Mother"
Cynthia E. Roman
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Shakespeare's Adolescents : Age, Gender and the Body in Shakespearean Performance and Early Modern Culture
Victoria Sparey
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Aristophanes: Cavalry
Professor Robert (Associate Professor, York University, Canad Tordoff
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Shakespeare on Screen: Romeo and Juliet
Victoria (University of Queensland) Bladen
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Blindness and Spectatorship in Ancient and Modern Theatres : Towards New Ways of Looking and Looking Back
Marchella (The Open University, Milton Keynes) Ward
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The Merchant of Venice
Boika Sokolova
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