The Art of the Literary Poster
Allison Rudnick
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Write Cut Rewrite : The Cutting Room Floor of Modern Literature
Dirk Van Hulle
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A Performance History of The Fair Penitent
Elaine (University of Bristol) McGirr
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The Last Man and Gothic Sympathy
Michael (Dalhousie University) Cameron
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C.S. Lewis and the Problem of God
David (University of Wisconsin, Madison) Werther
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Decolonising African Theatre
Samuel (University of the Witwatersrand, Johannesburg) Ravengai
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Theatricality, Playtexts and Society
David (University of York) Barnett
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Early English Periodicals and Early Modern Social Media
Margaret J. M. (Texas A & M University) Ezell
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Indigenous Knowledge and Material Histories : The Example of Rubber
Jens (Augsburg University) Soentgen
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Radical Tenderness : Poetry in Times of Catastrophe
Andrea (Queen Mary University of London) Brady
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Reading with the Burneys : Patronage, Paratext, Performance
Sophie (University of York) Coulombeau
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Female Anger in Crime Fiction
Caroline (John Jay College of Criminal Justice and CUNY Graduat Reitz
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Gombrowicz : An Introduction
Aleksandra (University of Tubingen, Germany) Konarzewska
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Digital Culture and the Hermeneutic Tradition : Suspicion, Trust, and Dialogue
Inge van de Ven
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Emotionality : Heterosexual Love and Emotional Development in Popular Romance
Eirini Arvanitaki
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Social Reading Cultures on BookTube, Bookstagram, and BookTok
Bronwyn Reddan
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A Multidisciplinary Exploration into Flow in Writing
Deborah F. Rossen-Knill
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Remapping Energopolitics : Blue Humanities, Geophilosophy and Sri Lankan Minor Writings
Abhisek Ghosal
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A Cultural History of Laughter
Abilio (University of Minho, Portugal) Almeida
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Creative Writing and the Experiences of Others : Strategies for Outsiders
Nandita Dinesh
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