Principles of Underwater Sound
Robert J Urick
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Acoustic Analyses Using Matlab® and Ansys®
Carl (The University of Adelaide, Australia) Howard
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Sensory Evaluation of Sound
Nick Zacharov
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Principles of Forensic Audio Analysis
Robert C. Maher
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Sounds as They Are : The unwritten music in classical recordings
Richard (Assistant Professor of Music, Assistant Professor o Beaudoin
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Constructing Music : Musical Explorations in Creative Coding
Teresa M. (Professor of Music, Design, and Creative Technology, Nakra
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Repetition and Performance in the Recording Studio
Rod (Monash University, Victoria) Davies
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Ultrasonics : Fundamentals, Technologies, and Applications
Dale (Sunnyvale, California, USA) Ensminger
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Making Stereo Fit : The History of a Disquieting Film Technology
Eric Dienstfrey
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Ultrasonic Nano/Microfabrication, Handling, and Driving
Junhui Hu
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Synthesizers and Subtractive Synthesis 1 : Theory and Overview
Jean-Michel (University of Burgundy, France) Reveillac
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Magnetoelastic Acoustic Emission : Theory and Applications in Ferromagnetic Materials
Valentyn Skalskyi
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The Spleen : Anatomy, Physiology and diseases
Ahmed H. Al-Salem
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Acoustic Cues in the Disambiguation of Polysemous Strings
Maja Gwozdz
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Listening, Belonging, and Memory
Dr. Abigail (Professor of Cultural Studies, University of Glo Gardner
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Wild Track : Sound, Text and the Idea of Birdsong
Dr. Sean (Emeritus Professor of Radio, Bournemouth University, Street
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Art of Sound : Creativity in Film Sound and Electroacoustic Music
Andrew Knight-Hill
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Church Bells, Peals and Church Bell Chimes : Also Bells for all Known Uses, Which are Composed of Th
Anonmyous
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Metamaterials in Topological Acoustics
Sourav (University of South Carolina) Banerjee
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