Shakespeare and the Power of the Face
James A. Knapp
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Sensory Experience and the Metropolis on the Jacobean Stage (1603-1625)
Hristomir A. Stanev
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Sensory Experience and the Metropolis on the Jacobean Stage (1603-1625)
Hristomir A. Stanev
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Perspectives on the Performance of French Piano Music
Lesley A. Wright
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Perspectives on the Performance of French Piano Music
Lesley A. Wright
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Lead Belly, Woody Guthrie, Bob Dylan, and American Folk Outlaw Performance
Damian A. Carpenter
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An Introduction to Japanese Folk Performing Arts
Terence A. Lancashire
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An Introduction to Japanese Folk Performing Arts
Terence A. Lancashire
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Holocaust Theater : Dramatizing Survivor Trauma and its Effects on the Second Generation
Gene A. Plunka
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Holocaust Theater : Dramatizing Survivor Trauma and its Effects on the Second Generation
Gene A. Plunka
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Women, Medicine and Theatre 1500-1750 : Literary Mountebanks and Performing Quacks
M.A. Katritzky
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Women, Medicine and Theatre 1500-1750 : Literary Mountebanks and Performing Quacks
M.A. Katritzky
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Sex and Satiric Tragedy in Early Modern England : Penetrating Wit
Gabriel A. Rieger
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Sex and Satiric Tragedy in Early Modern England : Penetrating Wit
Gabriel A. Rieger
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Healing, Performance and Ceremony in the Writings of Three Early Modern Physicians: Hippolytus Guarinonius and the Brothers Felix and Thomas Platter
M.A. Katritzky
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Healing, Performance and Ceremony in the Writings of Three Early Modern Physicians: Hippolytus Guarinonius and the Brothers Felix and Thomas Platter
M.A. Katritzky
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Shake Well Before Using : A Collection of One Act Plays
A.Ross Shepherd
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The Poetics of Stage Space : The Theory and Process of Theatre Scene Design
Bruce A. Bergner
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Add to BasketCharacter's Theater : Genre and Identity on the Eighteenth-Century English Stage
Lisa A. Freeman
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Antitheatricality and the Body Public
Lisa A. Freeman
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Pictorial Illusionism : The Theatre of Steele MacKaye
J. A. Sokalski
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Pictorial Illusionism : The Theatre of Steele MacKaye
J. A. Sokalski
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Everybody's Got A Story! : How to Write, Direct, and Produce YOURS for Stage
Tracie A Bonnick
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Trump Was a Joke : How Satire Made Sense of a President Who Didn’t
Sophia A Mcclennen
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