Animating the Science Fiction Imagination
J. P. (Professor in the School of Literature, Media, and Comm Telotte
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Film Directing Fundamentals : See Your Film Before Shooting
Nicholas T. (Professor of Film at the Film Division, School Proferes
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Fertile Ground in Middle Level General Music
Stephanie (Mason Gross School of the Arts at Rutgers, The Cronenberg
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Melodies of the Mind : Connections between psychoanalysis and music
Julie (Graduate of The Juilliard School, New York, USA; Jaffee Nagel
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On the Art of Singing
Richard (Professor of Singing, Director of the Otto B. Schoepf Miller
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The Oxford Companion to Musical Instruments
Anthony C. (former Curator of the Bate Collection of Historica Baines
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Einsturzende Neubauten's Kollaps
Melle Jan (Independent Scholar, Independent Scholar, The Net Kromhout
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Focus: Popular Music in Contemporary India
Natalie (The College at Brockport, SUNY, USA) Sarrazin
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L’Auberge espagnole : European Youth on Film
Ben (The University of Adelaide, Australia) McCann
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Copyright Law Symposium
The American Society of Composers, Authors, and Publishers
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The American Society of Composers, Authors, and Publishers
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Add to BasketProkofiev's Soviet Operas
Nathan (The Chinese University of Hong Kong) Seinen
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Patrick (The Original Shakespeare Company, London, UK) Tucker
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Cesare Zavattini’s Neo-realism and the Afterlife of an Idea : An Intellectual Biography
David (Technological University of the Shannon, Ireland) Brancaleone
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Add to BasketAmerican Eccentric Cinema
Dr. Kim (The University of Sydney, Australia) Wilkins
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Tallinn '67 Jazz Festival : Myths and Memories
Heli (University of the Arts Helsinki, Finland) Reimann
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Secrets of Screen Directing : The Tricks of the Trade
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Training Soprano Voices
Richard (Professor of Singing; Director of the Otto B. Schoepf Miller
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Sonic Multiplicities : Hong Kong Pop and the Global Circulation of Sound and Image
Yiu Fai Chow
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Add to BasketThe Cinema of Poetry
P. Adams (Professor of Visual Arts in the Lewis Center for the Sitney
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Television and Screen Writing : From Concept to Contract
Richard A (Richard A. Blum is Professor of film and head of the Blum
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Problem-Based Learning in the College Music Classroom
Natalie R (The College at Brockport, SUNY, USA) Sarrazin
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The Science of Musical Sounds
Johan (The Royal Institute of Technology, Stockholm, Sweden) Sundberg
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