Shakespeare, from Stage to Screen
Sarah (Universite de Paris I) Hatchuel
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The Orchestral Revolution : Haydn and the Technologies of Timbre
Emily I. (University of Pennsylvania) Dolan
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Puppet Magic
Joy L. Lowe
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The Musician's Body : A Maintenance Manual for Peak Performance
Jaume Rosset i Llobet
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Tekhnoekonomika Zhiznennogo Tsikla Izdeliy Mashinostroeniya
Petrushin S I
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Metodologiya I Teoriya Etnokul'turnoy Podgotovki Studentov Pedvuzov
Yakunchev M
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Women and Domestic Space in Contemporary Gothic Narratives : The House as Subject
A. Soon
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Women and Domestic Space in Contemporary Gothic Narratives : The House as Subject
A. Soon
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John Adams's Nixon in China : Musical Analysis, Historical and Political Perspectives
Timothy A. Johnson
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The Objects of Affection : Semiotics and Consumer Culture
A. Berger
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The Post-Dictatorship Generation in Argentina, Chile, and Uruguay : Collective Memory and Cultural Production
A. Ros
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Screening the Unwatchable : Spaces of Negation in Post-Millennial Art Cinema
A. Grønstad
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Phantoms of War in Contemporary German Literature, Films and Discourse : The Politics of Memory
A. Fuchs
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Modular Narratives in Contemporary Cinema
A. Cameron
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Imagining Arab Womanhood : The Cultural Mythology of Veils, Harems, and Belly Dancers in the U.S.
A. Jarmakani
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Shakespeare, Film Studies, and the Visual Cultures of Modernity
A. Guneratne
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Psychomusicology and Other Ancient Musicological Writings
A. Barker
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The Post-Dictatorship Generation in Argentina, Chile, and Uruguay : Collective Memory and Cultural Production
A. Ros
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Performing Piety : Musical Culture in Medieval English Nunneries
A. Yardley
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Mise en Scene and Film Style : From Classical Hollywood to New Media Art
A. Martin
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Media Parasites in the Early Avant-Garde : On the Abuse of Technology and Communication
A. Niebisch
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Avant-Garde Theatre Sound : Staging Sonic Modernity
A. Curtin
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