History on Film/Film on History
Robert A. Rosenstone
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After the Rite : Stravinsky's Path to Neoclassicism (1914-1925)
Maureen A. Carr
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Lead Belly, Woody Guthrie, Bob Dylan, and American Folk Outlaw Performance
Damian A. Carpenter
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A Concise Survey of Music Philosophy
Donald A. Hodges
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Interrogating America through Theatre and Performance
Kenneth A. Loparo
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Printing Music in Renaissance Rome
Jane A. Bernstein
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Printing Music in Renaissance Rome
Jane A. Bernstein
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The Analysis of Performance Art : A Guide to its Theory and Practice
Anthony Howell
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The Analysis of Performance Art : A Guide to its Theory and Practice
Anthony Howell
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Cinema, Memory, Modernity : The Representation of Memory from the Art Film to Transnational Cinema
Russell J.A. Kilbourn
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Theatre-Making : Interplay Between Text and Performance in the 21st Century
D. Radosavljevic
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Dancing in the World : Revealing Cultural Confluences
Sinclair Ogaga Emoghene
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Dancing in the World : Revealing Cultural Confluences
Sinclair Ogaga Emoghene
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Sacred Sounds, Secular Spaces : Transforming Catholicism Through the Music of Third-Republic Paris
Jennifer Walker
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Sacred Sounds, Secular Spaces : Transforming Catholicism Through the Music of Third-Republic Paris
Jennifer Walker
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French Musical Life : Local Dynamics in the Century to World War II
Katharine Ellis
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French Musical Life : Local Dynamics in the Century to World War II
Katharine Ellis
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Sounding Authentic : The Rural Miniature and Musical Modernism
Joshua S. Walden
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Opera for the People : English-Language Opera and Women Managers in Late 19th-Century America
Katherine K. Preston
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Brahms Among Friends : Listening, Performance, and the Rhetoric of Allusion
Paul Berry
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Musical Genre and Romantic Ideology : Belonging in the Age of Originality
Matthew Gelbart
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Musical Genre and Romantic Ideology : Belonging in the Age of Originality
Matthew Gelbart
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