The Politics and Poetics of Black Film : Nothing But a Man
David C. Wall
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Race and the Revolutionary Impulse in The Spook Who Sat by the Door
Michael T. Martin
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African Cinema and Human Rights
Mette Hjort
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The Afterlives of Kathleen Collins : A Black Woman Filmmaker's Search for New Life
L. H. Stallings
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Pleading the Blood : Bill Gunn's Ganja & Hess
Christopher Sieving
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Envisioning Black Feminist Voodoo Aesthetics : African Spirituality in American Cinema
Kameelah L. Martin
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The Revelations of Asher : Toward Supreme Love in Self - (This Is an Endarkened, Feminist, New Literacies Event)
Jeanine M. Staples
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The Problematic Tyler Perry
Brian C. Johnson
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That Fatal Shore
Sean Hogan
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Production Management for Film and Video
Richard (Freelance Production Manager and Lecturer for the Nati Gates
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Animating the Science Fiction Imagination
J. P. (Professor in the School of Literature, Media, and Comm Telotte
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The Shape of Motion : Cinema and the Aesthetics of Movement
Jordan (Lecturer in the Cinema Department, Lecturer in the Ci Schonig
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The Proximity of Other Skins : Ethical Intimacy in Global Cinema
Celine (Professor in the Department of Cinema Studie Parrenas Shimizu
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The Last Word : The Hollywood Novel and the Studio System
Justin (Lecturer in the Merritt Writing Program, Lecturer in Gautreau
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Orson Welles's Citizen Kane : A Casebook
James (Chancellors' Professor in the Department of Communica Naremore
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Censorship and the Permissive Society : British Cinema and Theatre, 1955-1965
Anthony (Senior Lecturer in History and Sub Dean in Arts, The Aldgate
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Bridges to Freedom & Equality & Kindness : A Play
Paulie the Ballie
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Inventing Television Culture : Men, Women, and the Box
Janet (Senior Lecturer in the Department of Drama at the Unive Thumim
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Film and the Classical Epic Tradition
Joanna (Lecturer in Classical Studies, The Open University) Paul
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Production Management for Film and Video
Richard (Freelance Production Manager and Lecturer for the Nati Gates
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