Singers, Scores and Sounds : Making New Connections and Transforming Voices
Ellen (UNSW, Australia) Hooper
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Add to BasketWomen in Convent Spaces and the Music Networks of Early Modern Barcelona
Ascension Mazuela-Anguita
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Schubert's Workshop: Volume 1 : Towards an Early Maturity
Brian Newbould
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Schubert's Workshop: Volume 2 : Mastery and Beyond
Brian Newbould
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Australia’s Jindyworobak Composers
David (University of Western Australia, Australia) Symons
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Australia’s Jindyworobak Composers
David (University of Western Australia, Australia) Symons
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Music in Religious Cults of the Ancient Near East
John Arthur Smith
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Music in Religious Cults of the Ancient Near East
John Arthur Smith
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Opera, Emotion, and the Antipodes Volume I : Historical Perspectives: Creating the Metropolis; Delineating the Other
Jane Davidson
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Opera, Emotion, and the Antipodes Volume II : Applied Perspectives: Compositions and Performances
Jane Davidson
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Opera, Emotion, and the Antipodes Volume II : Applied Perspectives: Compositions and Performances
Jane Davidson
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Researching Secular Music and Dance in the Early United States : Extending the Legacy of Kate Van Winkle Keller
Laura Lohman
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Researching Secular Music and Dance in the Early United States : Extending the Legacy of Kate Van Winkle Keller
Laura Lohman
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Sound in the Ecstatic-Materialist Perspective on Experimental Music
Riccardo D. Wanke
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Sound in the Ecstatic-Materialist Perspective on Experimental Music
Riccardo D. Wanke
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel Schwindt
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel Schwindt
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Sound Heritage : Making Music Matter in Historic Houses
Jeanice Brooks
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Sound Heritage : Making Music Matter in Historic Houses
Jeanice Brooks
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Modes of Communication in Stravinsky's Works : Sign and Expression
Per Dahl
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Modes of Communication in Stravinsky's Works : Sign and Expression
Per Dahl
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Music by Subscription : Composers and their Networks in the British Music-Publishing Trade, 1676-1820
Simon D.I. Fleming
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Music by Subscription : Composers and their Networks in the British Music-Publishing Trade, 1676-1820
Simon D.I. Fleming
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Early English Composers and the Credo : Emphasis as Interpretation in Sixteenth-Century Music
Wendy J Porter
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