John Williams: Changing the Culture of the Classical Guitar : Performance, perception, education and construction
Michael O'Toole
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John Williams: Changing the Culture of the Classical Guitar : Performance, perception, education and construction
Michael O'Toole
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Opera, Emotion, and the Antipodes Volume I : Historical Perspectives: Creating the Metropolis; Delineating the Other
Jane Davidson
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Opera, Emotion, and the Antipodes Volume II : Applied Perspectives: Compositions and Performances
Jane Davidson
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Researching Secular Music and Dance in the Early United States : Extending the Legacy of Kate Van Winkle Keller
Laura (Queens University Charlotte, USA) Lohman
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From Stage to Studio : Performances versus Recordings in Classical Music
Amy (Royal Academy of Music, UK) Blier-Carruthers
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Music in Religious Cults of the Ancient Near East
John Arthur Smith
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Music in Religious Cults of the Ancient Near East
John Arthur Smith
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Add to BasketAustralia’s Jindyworobak Composers
David (University of Western Australia, Australia) Symons
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Add to BasketGlobal Percussion Innovations : The Australian Perspective
Louise Devenish
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Opera in a Multicultural World : Coloniality, Culture, Performance
Mary Ingraham
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Edward MacDowell’s European Piano Music : The Forging of an American Composer
Paul Bertagnolli
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Medievalism and Nationalism in German Opera : Euryanthe to Lohengrin
Michael S., M.D. Richardson
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Add to BasketOpera, Emotion, and the Antipodes Volume I : Historical Perspectives: Creating the Metropolis; Delineating the Other
Jane Davidson
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Double Lives: Film Composers in the Concert Hall
James Wierzbicki
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The Modern Percussion Revolution : Journeys of the Progressive Artist
Kevin Lewis
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Sound in the Ecstatic-Materialist Perspective on Experimental Music
Riccardo D. Wanke
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Sound in the Ecstatic-Materialist Perspective on Experimental Music
Riccardo D. Wanke
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Opera, Emotion, and the Antipodes Volume II : Applied Perspectives: Compositions and Performances
Jane Davidson
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Music and Performance in the Book of Hours
Michael Alan Anderson
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John Williams: Changing the Culture of the Classical Guitar : Performance, perception, education and construction
Michael (Classical guitar soloist, Ireland) O'Toole
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Paul Dukas: Legacies of a French Musician
Helen Julia Minors
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