Women Making Shakespeare in the Twenty-First Century
Kim (Western University) Solga
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Shakespeare and Nonhuman Intelligence
Heather (Texas Tech University) Warren-Crow
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Utpal Dutt and Political Theatre in Postcolonial India
Mallarika (Jawaharlal Nehru University) Sinha Roy
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Decolonising African Theatre
Samuel (University of the Witwatersrand, Johannesburg) Ravengai
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The Festival of India : Development and Diplomacy at the End of the Cold War
Rashna Darius (University of Warwick) Nicholson
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The Great Gatsby: The 1926 Broadway Script
James L. W. (Pennsylvania State University) West III
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The Poetics of Performance Diagrams
Andrej (Universitat der Kunste Berlin) Mircev
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Performing Grief in Pandemic Theatres
Fintan (Birkbeck, University of London) Walsh
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Theatricality, Playtexts and Society
David (University of York) Barnett
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Crisis Theatre and The Living Newspaper
Sarah Jane (University of Northampton) Mullan
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Clean Break Theatre Company
Caoimhe (Queen Mary University of London) McAvinchey
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Documentary Theatre and Performance
Andy (Guildhall School of Music and Drama, UK) Lavender
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Shakespeare and Lecoq : A Practical Guide for Actors, Directors, Students and Teachers
Ed Woodall
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An Actor’s Guide to Corporate Role Play : The Best Side-Job for Actors
Syrus (Freelance practitioner, UK) Lowe
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The Alexander Technique : A Personal and Critical Guide for Practitioners, Students and Performance Artists
Peter Ribeaux
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Innovation in the Arts : Concepts, Theories, and Practices
Jason C. White
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Shakespeare and the Theater of Pity : Sinon’s Borrowed Tears
Shawn Smith
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Circus Psychology : An Applied Guide to Thriving Under the Big Top
Fleur van Rens
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Fifty Key Improv Performers : Actors, Troupes, and Schools from Theatre, Film, and TV
Matt Fotis
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Aquatopia : Climate Interventions
May (Pratt Institute, USA) Joseph
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Disavowing Authority in the Shakespeare Classroom
Huw (University of Sydney) Griffiths
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Screen Acting : A Cognitive Approach
Dan Leberg
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The Only Way Out : The Racial and Sexual Performance of Escape
Katherine Brewer Ball
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