The Horse's Mouth : How Handspring and the National Theatre Made War Horse
Millar Mervyn Millar
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The Royal Ballet 2016/17
The Royal Ballet
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Ringleaders of Redemption : How Medieval Dance Became Sacred
Kathryn (Postdoctoral Fellow, Society of Fellows in the Huma Dickason
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Pina Bausch
Royd (The New School for Liberal Arts, New York, USA) Climenhaga
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Relationscapes : Movement, Art, Philosophy
Erin (University Research Chair in the Faculty of Fine Arts; Manning
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The DMV . . . Asleep at the Wheel : An Immigrant's View of Scandalous Government Waste
Mariam the Mighty Noujaim
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Eight Female Classical Ballet Variations
Nina (Associate Professor, School of Dance, Associate Profes Danilova
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The Song of the Body : Dance for Lifelong Wellbeing
The Royal Academy Of Dance
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Dumbstruck - A Cultural History of Ventriloquism
Steven (Professor of Modern Literature and Theory, School of E Connor
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Gender and Dance in Modern Iran : Biopolitics on stage
Ida (The Pennsylvania State University) Meftahi
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Acting Career Start-Up 101 : The Real First Steps
Professor of Sociology Anthony (London School of Economics) Smith
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The Cambridge Introduction to Performance Theory
Simon (Central School of Speech and Drama, London) Shepherd
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Unworking Choreography : The Notion of the Work in Dance
Frederic (Lecturer in the Philosophy of Art, Lecturer in t Pouillaude
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The Director's Craft : A Handbook for the Theatre
Katie (The Royal National Theatre, UK) Mitchell
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Getting Started in Ballet : A Parent's Guide to Dance Education
Anna (Chair of the Dance Department, Chair of the Dance Dep Paskevska
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The Utopian Globalists : Artists of Worldwide Revolution, 1919 - 2009
Jonathan (University of Southampton, Winchester School of Art, Harris
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Copyright Law Symposium
The American Society of Composers, Authors, and Publishers
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Copyright Law Symposium
The American Society of Composers, Authors, and Publishers
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