Tropical Time Machines : Science Fiction in the Contemporary Hispanic Caribbean
Emily A. Maguire
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Race and Media Literacy, Explained (or Why Does the Black Guy Die First?)
Frederick W. Gooding, Jr.
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Experimental Film and Queer Materiality
Juan A. (Professor of American Studies, Professor of American Suarez
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Tell Your Story : Visual Storytelling Pitfalls and How to Avoid Them
Bill (Member of American Society of Cinematographers (ASC), Prof Dill
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The Traces of Jacques Derrida's Cinema
Timothy (Assistant Professor, Dept. of Film and Media, Assist Holland
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Video Production : Disciplines and Techniques
James C. (Bowling Green State University, USA) Foust
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Video Production : Disciplines and Techniques
James C. (Bowling Green State University, USA) Foust
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Exploring the Land of Ooo : An Unofficial Overview and Production History of Cartoon Network's Adventure Time
Paul A. Thomas
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Art, Power, and Politics : Political Storytelling in Paintings, Music, and Movies
Michael A. Genovese
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Political Camerawork : Documentary and the Lasting Impact of Reenacting Historical Trauma
David A. Rice
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Menacing Environments : Ecohorror in Contemporary Nordic Cinema
Benjamin A. Bigelow
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Body, Gender, and Sexuality in Latin American Cinema: Insurgent Skin
Juli A. Kroll
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The Wicker Man
Steve A. Wiggins
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Disabled People Transforming Media Culture for a More Inclusive World
Beth A. (Towson University, Maryland, USA) Haller
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Writing the Brain : Material Minds and Literature, 1800-1880
Stefan (Assistant Professor of English, Assistant Profess Schoberlein
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£54.00
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Women and Domestic Space in Contemporary Gothic Narratives : The House as Subject
A. Soon
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The Post-Dictatorship Generation in Argentina, Chile, and Uruguay : Collective Memory and Cultural Production
A. Ros
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Modular Narratives in Contemporary Cinema
A. Cameron
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Film Sound in Italy : Listening to the Screen
A. Sisto
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Shakespeare, Film Studies, and the Visual Cultures of Modernity
A. Guneratne
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Phantoms of War in Contemporary German Literature, Films and Discourse : The Politics of Memory
A. Fuchs
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Mise en Scene and Film Style : From Classical Hollywood to New Media Art
A. Martin
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