Popular Tropes of Identity in Contemporary Russian Television and Film
Irina (University of Amsterdam, The Netherlnds) Souch
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The Aesthetics of Nostalgia TV : Production Design and the Boomer Era
Alex (The University of Queensland, Australia) Bevan
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The Imaginary Geography of Hollywood Cinema 1960-2000
Christian B. (The University of Queensland) Long
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Infrastructure in Dystopian and Post-apocalyptic Film, 1968-2021
Christian B. (The University of Queensland) Long
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Georges Bizet's Carmen
Nelly (Director of the Office of Programs and the Association Furman
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Animating the Science Fiction Imagination
J. P. (Professor in the School of Literature, Media, and Comm Telotte
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Film Directing Fundamentals : See Your Film Before Shooting
Nicholas T. (Professor of Film at the Film Division, School Proferes
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Exploring 3D : The New Grammar of Stereoscopic Filmmaking
Adrian (The IBC Daily, United Kingdom) Pennington
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L’Auberge espagnole : European Youth on Film
Ben (The University of Adelaide, Australia) McCann
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Secrets of Screen Directing : The Tricks of the Trade
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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Cesare Zavattini’s Neo-realism and the Afterlife of an Idea : An Intellectual Biography
David (Technological University of the Shannon, Ireland) Brancaleone
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American Eccentric Cinema
Dr. Kim (The University of Sydney, Australia) Wilkins
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The Cinema of Poetry
P. Adams (Professor of Visual Arts in the Lewis Center for the Sitney
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Television and Screen Writing : From Concept to Contract
Richard A (Richard A. Blum is Professor of film and head of the Blum
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Film and the Classical Epic Tradition
Joanna (Lecturer in Classical Studies, The Open University) Paul
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Creating Musical Theatre : Conversations with Broadway Directors and Choreographers
Lyn (Weitzenhoffer Endowed Professor, The University of Oklaho Cramer
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Divine Work, Japanese Colonial Cinema and its Legacy
Dr. Kate (The University of Sheffield, UK) Taylor-Jones
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Philosophy, Myth and Epic Cinema : Beyond Mere Illusions
Sylvie, Senior Lecturer at the University of Hertfordshire Magerstadt
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There's No Place Like Home : The Migrant Child in World Cinema
Dr. Stephanie Hemelryk (The University of Lincoln, UK) Donald
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Children Cinema and Censorship : From Dracula to the Dead End Kids
Sarah J. (The Glasgow School of Art, UK) Smith
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Censorship and the Permissive Society : British Cinema and Theatre, 1955-1965
Anthony (Senior Lecturer in History and Sub Dean in Arts, The Aldgate
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The Planetary Clock : Antipodean Time and Spherical Postmodern Fictions
Paul (Challis Professor of English, The University of Sydney) Giles
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