Screen Hustles, Grifts and Stings : Stings, Grifts, Hustles and the Long Con
A. Sargeant
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Educational Institutions in Horror Film : A History of Mad Professors, Student Bodies, and Final Exams
A. Grunzke
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Screening the Unwatchable : Spaces of Negation in Post-Millennial Art Cinema
A. Grønstad
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Phantoms of War in Contemporary German Literature, Films and Discourse : The Politics of Memory
A. Fuchs
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Re-Framing the Theatrical : Interdisciplinary Landscapes for Performance
A. Oddey
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Modular Narratives in Contemporary Cinema
A. Cameron
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Possessed Child Narratives in Literature and Film : Contrary States
A. Schober
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Screening Schillebeeckx : Theology and Third Cinema in Dialogue
A. Sison
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Commerce in Culture : States and Markets in the World Film Trade
A. Flibbert
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Shakespeare, Film Studies, and the Visual Cultures of Modernity
A. Guneratne
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The Objects of Affection : Semiotics and Consumer Culture
A. Berger
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And the Mirror Cracked : Feminist Cinema and Film Theory
A. Smelik
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The Post-Dictatorship Generation in Argentina, Chile, and Uruguay : Collective Memory and Cultural Production
A. Ros
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Picturing the Primitive : Visual Culture, Ethnography, and Early German Cinema
A. Oksiloff
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Media Parasites in the Early Avant-Garde : On the Abuse of Technology and Communication
A. Niebisch
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Contemporary Asylum Narratives : Representing Refugees in the Twenty-First Century
A. Woolley
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W. C. Fields from Burlesque and Vaudeville to Broadway : Becoming a Comedian
A. Wertheim
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Girlfriends and Postfeminist Sisterhood
A. Winch
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Avant-Garde Theatre Sound : Staging Sonic Modernity
A. Curtin
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Labyrinth : One classic film, fifty-five sonnets
A Corrigan
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