Every Frame a Rembrandt : Art and Practice of Cinematography
Andrew Laszlo
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Global Scriptwriting
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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Global Scriptwriting
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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Dreams and Dead Ends : The American Gangster Film
Jack (Professor of English, Professor of English, University Shadoian
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Mechanical Witness : A History of Motion Picture Evidence in U.S. Courts
Louis-Georges (Assistant Professor of Cinema Studies and Com Schwartz
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Provincializing Bollywood : Bhojpuri Cinema in the Comparative Media Crucible
Akshaya (Assistant Professor, Assistant Professor, School of Hu Kumar
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Sound Design is the New Score : Theory, Aesthetics, and Erotics of the Integrated Soundtrack
Danijela (Lecturer, Lecturer, School of Film, Music, a Kulezic-Wilson
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Moving Pictures : A New Theory of Film Genres, Feelings, and Cognition
Torben (Professor of Media Studies, Professor of Media Studies Grodal
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A History of Shakespeare on Screen : A Century of Film and Television
Kenneth S. (University of Vermont) Rothwell
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Sounding the Gallery : Video and the Rise of Art-Music
Holly (Lecturer in Music, Lecturer in Music, The University of Rogers
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When the World Laughs : Film Comedy East and West
William V. (SUNY Distinguished Teaching Professor of English Costanzo
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Television and New Media Audiences
Ellen (Professor of Communications, Professor of Communication Seiter
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Starring New York : Filming the Grime and the Glamour of the Long 1970s
Stanley (Professor of English, Professor of English, Universit Corkin
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Soviet Art House : Lenfilm Studio under Brezhnev
Catriona (Professor of Russian, Professor of Russian, Universit Kelly
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The Frontier Club : Popular Westerns and Cultural Power, 1880-1924
Christine (Professor of English, Professor of English, Universit Bold
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Shakespeare in the Movies : From the Silent Era to Shakespeare in Love
Douglas (Professor of Film, S.I. Newhouse School of Public Comm Brode
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Cinematic Chronotopes : Here, Now, Me
Pepita (Leiden University, the Netherlands) Hesselberth
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TV Commercials: How to Make Them : or, How Big is the Boat?
Ivan (Professor in the Communication Department of California St Cury
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TV Commercials: How to Make Them : or, How Big is the Boat?
Ivan (Professor in the Communication Department of California St Cury
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Shaping Light for Video in the Age of LEDs : A Practical Guide to the Art and Craft of Lighting
Alan (Gaffer and Lighting Director, USA) Steinheimer
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Hollywood's America : Understanding History Through Film
Steven (University of Houston) Mintz
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£38.05
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Composing for Moving Pictures : The Essential Guide
Jason M. (Professional trainer, Apple Computers, and Freelance Gaines
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Architecture of Drama : Plot, Character, Theme, Genre and Style
David Letwin
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Intimate Violence : Hitchcock, Sex, and Queer Theory
David (Professor of English, Professor of English, University Greven
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