The Biopic and Beyond : Celebrities as Characters in Screen Media
Dr. Melanie (School of Communication and Arts Sessional Academi Piper
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European Cinema and Continental Philosophy : Film As Thought Experiment
Thomas (University of Amsterdam, the Netherlands) Elsaesser
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Archival Storytelling : A Filmmaker’s Guide to Finding, Using, and Licensing Third-Party Visuals and Music
Sheila Curran (University at Albany, State University of New Bernard
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Adaptation for Screenwriters
Professor or Dr. Robert (Professor of Writing and Popular Cultu Edgar
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Renegades : Digital Dance Cultures from Dubsmash to TikTok
Trevor (Lecturer in the Women's Gender & Sexuality Studies Pr Boffone
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Secrets of Screen Acting
Patrick (The Original Shakespeare Company, London, UK) Tucker
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The Servant
Amy (Tisch School of the Arts, New York University London Pr Sargeant
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AI for Arts
Niklas (The Virtual Mind, Sweden) Hageback
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An Introduction to Film Genres
Lester (Hobart and William Smith Colleges) Friedman
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Video Production Handbook
Jim (Dean of the School of Communication Arts at Asbury Univers Owens
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Alternative Scriptwriting : Contemporary Storytelling for the Screen
Ken (Tisch School of the Arts, New York University, NY, USA) Dancyger
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Dancing Black, Dancing White : Rock 'n' Roll, Race, and Youth Culture of the 1950s and Early 1960s
Julie (Professor of Dance and Theatre Studies, Professor of Da Malnig
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Caught on Tape : White Masculinity and Obscene Enjoyment
Casey Ryan (Professor of Rhetoric and Public Culture, Professor Kelly
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Caught on Tape : White Masculinity and Obscene Enjoyment
Casey Ryan (Professor of Rhetoric and Public Culture, Professor Kelly
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Biopolitical Ethics in Global Cinema
Seung-hoon (Assistant Professor of Film and Electronic Arts, As Jeong
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Biopolitical Ethics in Global Cinema
Seung-hoon (Assistant Professor of Film and Electronic Arts, As Jeong
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Technology and the Making of Experimental Film Culture
John (Assistant Professor of Film and Media Studies, Assistant Powers
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Anthroposcreens : Mediating the Climate Unconscious
Julia (Norwegian University of Science and Technology, Trondhei Leyda
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How the Movies Got a Past : A Historiography of American Cinema, 1894-1930
Dimitrios (Assistant Professor in Digital and Audiovisual Pres Latsis
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The GoFaSt Guide To Screenwriting : The Goals, Failures, and Stakes Model of Narrative Storytelling
Greg (The New School, USA) Takoudes
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The GoFaSt Guide To Screenwriting : The Goals, Failures, and Stakes Model of Narrative Storytelling
Greg (The New School, USA) Takoudes
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Pablo Trapero and the Politics of Violence
Douglas (University of the Western Cape, Cape Town, South Af Mulliken
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A Filmmaker’s Guide to Sound Design : Bridging the Gap Between Filmmakers and Technicians to Realize the Storytelling Power of Sound
Matthew (SoundSpace Studio, USA) Polis
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